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[ 洋図書 ] Hip hop on film : performance culture, urban space, and genre transformation in the 1980s /

Kimberly Monteyne. -- University Press of Mississippi, -- 2013. --

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ISBN 1617039225 (hardback)
ISBN13桁 9781617039225 (hardback)
無効なISBN等 9781617039232 (ebook)
テキストの言語 英語                  
分類：NDC10版 778.253
個人著者標目 Monteyne, Kimberly.
本タイトル Hip hop on film :
タイトル関連情報 performance culture, urban space, and genre transformation in the 1980s /
著者名 Kimberly Monteyne.
出版地・頒布地 Jackson :
出版者・頒布者名 University Press of Mississippi,
出版年・頒布年 2013.
数量 x, 277 p. :
他の形態的事項 ill. ;
大きさ 24 cm.
書誌注記 Includes bibliographical references (p. [259]-268) and index.
内容注記 Introduction -- The Case for the Hip Hop Musical -- The Sound of the South Bronx: Wild Style Reinvents the Urban Musical -- Hip Hoppers and Valley Girls: The Economic and Racial Structuring of Youth Cinema in the 1980s -- Flashdance: Breaking, Ballet, and the Representation of Race and Gender -- Conclusion.
要約、抄録、注釈等 "Early hip hop film musicals have either been expunged from cinema history or excoriated in brief passages by critics and other writers. Hip Hop on Film reclaims and reexamines productions such as Breakin' (1984), Beat Street (1984), and Krush Groove (1985) in order to illuminate Hollywood's fascinating efforts to incorporate this nascent urban culture into conventional narrative forms. Such films presented musical conventions against the backdrop of graffiti-splattered trains and abandoned tenements in urban communities of color, setting the stage for radical social and political transformations. Hip hop musicals are also part of the broader history of teen cinema, and films such as Charlie Ahearn's Wild Style (1983) are here examined alongside other contemporary youth-oriented productions. As suburban teen films banished parents and children to the margins of narrative action, hip hop musicals, by contrast, presented inclusive and unconventional filial groupings that included all members of the neighborhood ..."--,"Early hip hop film musicals have either been expunged from cinema history or excoriated in brief passages by critics and other writers. Hip Hop on Film reclaims and reexamines productions such as Breakin', Beat Street, and Krush Groove in order to illuminate Hollywood's fascinating efforts to incorporate this nascent urban culture into conventional narrative forms. Such films presented musical conventions against the backdrop of graffiti-splattered trains and abandoned tenements in urban communities of color, setting the stage for radical social and political tranformations. Hip hop musicals are also part of the broader history of teen cinema, and films such as Charlie Ahearn's Wild Style are here examined alongside other contemporary youth-oriented productions ..."--
一般件名 Hip-hop in motion pictures.
Motion pictures -- United States.
地名件名 USA.
United States.
資料情報1 『Hip hop on film : performance culture, urban space, and genre transformation in the 1980s /』　Kimberly Monteyne.　University Press of Mississippi,　2013. （所蔵館：中央　 請求記号：F/778.2/M78/H　 資料コード：7104017333）
URL https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352010668

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