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[ 洋図書 ] A history of video art /

Chris Meigh-Andrews. -- Bloomsbury, -- c2014. -- 2nd ed.

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ISBN 0857851772 (hardback)
ISBN13桁 9780857851772 (hardback)
無効なISBN等 9780857851888 (ePDF)
テキストの言語 英語                  
分類：NDC10版 778.2
個人著者標目 Meigh-Andrews, Chris.
本タイトル A history of video art /
著者名 Chris Meigh-Andrews.
版表示 2nd ed.
出版地・頒布地 New York :
出版者・頒布者名 Bloomsbury,
出版年・頒布年 c2014.
数量 387 p., [16] p. of plates :
他の形態的事項 ill. (some col.) ;
大きさ 25 cm.
書誌注記 Includes bibliographical references (p. [369]-376) and index.
内容注記 Preface to the 2nd edition -- Part 1. The Origins of Video Art: The Historical and Cultural Context: 1. In The Beginning: The Origins of Video Art; 2. Crossing Boundaries: International Tendencies and Influences in Early Artists' Video; 3. Technology, Access and Context: Social and Political Activists and Their Role in the Development of Video Art; 4. Expanded Cinema: The Influence of Experimental, Avant-Garde and "Underground" Film to Artists' Video; 5. Musique Concrète, Fluxus and Tape Loops: The Influence and Impact of Sound Recording and Experimental Music on Video Art; 6. Theory and Practice: The Impact of Theoretical Ideas on Early Technology-Based Practice in the 1970s and some Significant and Influential Figures in the Development of Theoretical Discourse and Their Impact on Contemporary Art after Modernism; 7. Beyond the Lens: Abstract Video Imagery and Image Processing -- Part II. A Discussion of Some Representative and Influential Video Art Works Set in Relation to Their Technological and Critical Context: 8. In and Out of the Studio: The Advent of Inexpensive Non-Broadcast Video; 9. Cutting It: Accessible Video Editing; 10. Mixing it: Electronic/Digital Image Manipulation; 11. The Gallery Opens its Doors: Video Installation and Projection; 12. The Ubiquity of the Video Image: Artists' Video as an International Phenomenon -- Part III. The Development of Artists' Video and Video Installation in Response to Technological Change and Accessibility: 13. Fields, Lines and Frames: Video as an Electronic Medium; 14. The Means of Production: Feminism and 'Otherness': Race, Gender, Technology and Access; 15. Off the Wall: Video Sculpture and Installation; 16. Going Digital: The Emergence of Digital Video Editing, Processing and Effects; 17.Video Art in the New Millennium: New Developments in Artists' Video since 2000 -- Part IV. References.
要約、抄録、注釈等 "A History of Video Art is a revised and expanded edition of the 2006 original, which extends the scope of the first edition, incorporating a wider range of artists and works from across the globe and explores and examines developments in the genre of artists' video from the mid 1990s up to the present day. In addition, the new edition expands and updates the discussion of theoretical concepts and ideas which underpin contemporary artists' video. Tracking the changing forms of video art in relation to the revolution in electronic and digital imaging that has taken place during the last 50 years, A History of Video Art orients video art in the wider art historical context, with particular reference to the shift from the structuralism of the late 1960s and early 1970s to the post-modernist concerns of the 1980s and early 1990s. The new edition also explores the implications of the internationalisation of artists' video in the period leading up to the new millennium and its concerns and preoccupations including post-colonialism, the post-medium condition and the impact and influence of the internet"--
一般件名 Video art -- History.
ART / Film & Video.
資料情報1 『A history of video art /』2nd ed.　Chris Meigh-Andrews.　Bloomsbury,　c2014. （所蔵館：中央　 請求記号：F/778.2/M51/H　 資料コード：7104841726）
URL https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352013082

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