| ISBN |
[1441178155] (hardback)
|
| ISBN13桁 |
9781441178152 (hardback)
|
| 無効なISBN等 |
9781441145895 (ePub)
|
| テキストの言語 |
英語
|
| 分類：NDC10版 |
778.21
|
| 個人著者標目 |
Deamer, David.
|
| 本タイトル |
Deleuze, Japanese cinema, and the atom bomb :
|
| タイトル関連情報 |
the spectre of impossibility /
|
| 著者名 |
David Deamer.
|
| 出版地・頒布地 |
New York :
|
| 出版者・頒布者名 |
Bloomsbury,
|
| 出版年・頒布年 |
2014.
|
| 数量 |
xvi, 326 p. :
|
| 他の形態的事項 |
ill. ;
|
| 大きさ |
24 cm.
|
| 書誌注記 |
Includes bibliographical references (p. [309]-314) and index.
|
| 内容注記 |
Introduction: Event, cinema, cineosis -- Special images, contingent centres. Movement-images ; Bergson, sensory-motor process ; The effects of the atomic bomb on Hiroshima and Nagasaki (1946) ; Children of the atom bomb (1952) ; Godzilla (1954) -- Horizons of history. Action-images ; Nietzsche, history ; Terror of mechagodzilla (1975) ; Lucky dragon no. 5 (1959) ; Barefoot gen (1983) ; Nausicaa of the valley of the wind (1984) ; Akira (1988) -- Traces : symptoms and figures. Impulse-images and reflection-images ; Peirce, semiosis ; The naked island (1960) ; Dead or alive (1999) ; Ring (1998) ; Kwaidan (1964) ; The face of another (1966) ; Navel and a-bomb (1960) ; Tetsuo (1989) ; Face of Jizo (2004) -- Consummation (and crisis). Mental-images ; Bergson, memory ; I live in fear (1955) ; Rashomon (1950) ; Dreams (1990) ; Rhapsody in august (1991) -- Impure anarchic multiplicities. Time-images ; Deleuze, syntheses of time ; Casshern (2004) ; The Pacific war (1968) ; A history of postwar Japan as told by a bar hostess (1970) ; Black rain (1989) ; Hiroshima (1953) -- Conclusion: Spectres of impossibility.
|
| 要約、抄録、注釈等 |
"David Deamer establishes the first ever sustained encounter between Gilles Deleuze's Cinema books and post-war Japanese cinema, by exploring how Japanese films responded to and were transformed by the atomic bombings of Hiroshima and Nagasaki. From the early days of American occupation political censorship through to the social and cultural freedoms of the 1960s and beyond, the book examines how images of the event permeate post-war Japanese cinema. Each chapter begins by focusing upon one of three key themes: taxonomy, history or thought, before going on to explore a broad selection of films from 1945 to the present day, including respected masterpieces (Akira Kurosawa's Rashomon, 1951); popular and cult cinema (Godzilla, 1954; world renowned anime, Akira, 1988); the new wave (Nagisa Oshima's Night and Fog in Japan, 1960); and modern classics (Hideo Nakata's Ring, 1998). The author provides a series of monochrome diagrams to clarify and illustrate the concepts and conceptual components explored within the text, establishing a unique addition to Deleuze and cinema studies"--
|
| 個人件名 |
Deleuze, Gilles,
|
| 生没年等 |
1925-1995.
|
| 統一タイトル(シリーズ副出標目) |
Thinking Cinema ;
|
| シリーズの巻次 |
v. 1.
|
| シリーズ名・巻次 |
Thinking cinema ; volume 1 |
| 一般件名 |
Motion pictures -- History -- Japan -- 20th century.
Nuclear warfare in motion pictures. |
| 地名件名 |
Japan.
|
| 文献識別 |
JP
|
| 資料情報1 |
『Deleuze, Japanese cinema, and the atom bomb :
the spectre of impossibility /』（Thinking cinema ;
volume 1） David Deamer. Bloomsbury, 2014.
（所蔵館：中央
請求記号：F/778.2/D27/D
資料コード：7104842090）
|
| URL |
https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352013119 |
