| ISBN |
1571135499 (hardcover : acid-free paper)
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| ISBN13桁 |
9781571135490 (hardcover : acid-free paper)
|
| テキストの言語 |
英語
|
| 分類：NDC10版 |
942.7
|
| 個人著者標目 |
Crowe, Sinéad,
|
| 生没年等 |
1979-
|
| 本タイトル |
Religion in Contemporary German Drama :
|
| タイトル関連情報 |
Botho Strauss, George Tabori, Werner Fritsch, and Lukas Bärfuss /
|
| 著者名 |
Sinéad Crowe.
|
| 出版地・頒布地 |
Rochester, N.Y. :
|
| 出版者・頒布者名 |
Camden House,
|
| 出版年・頒布年 |
2013.
|
| 数量 |
168 p. ;
|
| 大きさ |
24 cm.
|
| 書誌注記 |
Includes bibliographical references (p. [147]-160) and index.
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| 内容注記 |
The relationship between theater and religion -- Religion in modern European theater and drama -- "No one wants to get to God anymore"? Botho Strauss's Gross und klein and Die eine und die andere -- Theological farce: George Tabori's Mein Kampf -- "The last refuge for metaphysics": Werner Fritsch's theater theory -- "The feeling of faith": Fritsch's Wondreber Totentanz and Aller Seelen -- Belief and unbelief in the twenty-first century: Lukas Bärfuss's Der Bus (Das Zeug einer Heiligen).
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| 要約、抄録、注釈等 |
Critics often claim that the twenty-first century has seen a sudden "return" of religion to the German stage. But although drama scholarship has largely focused on politics, postmodernity, gender, ethnicity, and "postdramatic" performance, religious themes, forms, and motifs have been a topic and a source of inspiration for German dramatists for several decades, as this study shows. Focusing on works by four major dramatists - Botho Strau, George Tabori, Werner Fritsch, and Lukas Barfuss - this book examines how, why, and to what effect religion is invoked in German drama since the late 1970s. It asks whether contemporary German drama succeeds in developing religious insights or is at most quasi-religious, exploiting religious signs for aesthetic, theatrical, or dramaturgical ends. It considers the performative and historical intersections between drama and religion, contextualizing the playwrights' treatments of religion by exploring how they lean on or repudiate the traditions of modern European drama, especially that of Strindberg, the Expressionists, Artaud, Grotowski, and Beckett. It also draws on the sociology, anthropology, and psychology of religion, exploring how these works reflect the changing place of religion and spirituality in the world, from secularization to the "alternative" modes of religiosity that have proliferated in Western society since the 1960s. -- Sinead Crowe is a Teaching Assistant at the University of Limerick, Ireland.
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| 統一タイトル(シリーズ副出標目) |
Studies in German literature, linguistics, and culture (Unnumbered)
|
| シリーズ名・巻次 |
Studies in German literature, linguistics, and culture |
| 一般件名 |
German drama -- History and criticism. -- 21st century
Religion in literature. |
| 資料情報1 |
『Religion in Contemporary German Drama :
Botho Strauss, George Tabori, Werner Fritsch, and Lukas Bärfuss /』（Studies in German literature, linguistics, and culture） Sinéad Crowe. Camden House, 2013.
（所蔵館：中央
請求記号：F/942.7/C95/R
資料コード：7105155209）
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| URL |
https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352013979 |
