| ISBN |
0520282434 (cloth : alk. paper)
|
| ISBN13桁 |
9780520282438 (cloth : alk. paper)
|
| テキストの言語 |
英語
|
| 分類：NDC10版 |
702.07
|
| 個人著者標目 |
Erber, Pedro R.,
|
| 生没年等 |
1975-
|
| 本タイトル |
Breaching the frame :
|
| タイトル関連情報 |
the rise of contemporary art in Brazil and Japan /
|
| 著者名 |
Pedro R. Erber.
|
| 出版地・頒布地 |
Oakland, Calif. :
|
| 出版者・頒布者名 |
University of California Press,
|
| 出版年・頒布年 |
c2015.
|
| 数量 |
xvii, 224 p., [16] p. of plates :
|
| 他の形態的事項 |
ill. (some col.) ;
|
| 大きさ |
27 cm.
|
| 書誌注記 |
Includes bibliographical references (p. 199-210) and index.
|
| 内容注記 |
Politics of abstraction -- The matter of painting -- Framing contemporary art -- Outside the frame -- Concrete poetry and the materialization of language -- The ticklish object.
|
| 要約、抄録、注釈等 |
Circa 1960, artists working at the margins of the international art world breached the frame of canvas painting and ruptured the institutional frame of art. Members of the Brazilian Neoconcrete group, such as Helio Oiticica and Lygia Clark, and their counterparts in Japan, such as Akasegawa Genpei and the Kansai-based Gutai Art Association, challenged the boundaries between art and non-art, between fiction and reality, between visual artwork and its discursive frame. In place of the indefinitely deferred promise of a revolution of the senses, artists called for "direct action" here and now. Pedro Erber situates the beginnings of these profound transformations of art in the politically charged debates on realism and abstraction and in the experiments of 1950s concrete poetry. He shows how artists and critics in Brazil and Japan brought modern painting to a point of crisis that paved the way for the radical experiments of the 1960s generation. In contrast to the "dematerialization" of the art object promoted by New York - based critics and conceptual artists in the late 1960s, avant-garde artists and poets in Brazil and Japan embraced materiality as intrinsic and fundamental to their highly conceptual practices. Breaching the Frame explores their uncannily contemporaneous trajectories, tracing the emergence of participatory practices and theories that challenged the limits of aesthetic contemplation and redefined the politics of spectatorship.
|
| 一般件名 |
Art, Brazilian -- 20th century.
Art, Japanese -- 20th century. |
| 地名件名 |
Brazil.
Japan. |
| 資料情報1 |
『Breaching the frame :
the rise of contemporary art in Brazil and Japan /』 Pedro R. Erber. University of California Press, c2015.
（所蔵館：中央
請求記号：F/702.0/E65/B
資料コード：7105294688）
|
| URL |
https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352014087 |
