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[ 洋図書 ] Black music, Black poetry : blues and jazz's impact on African American versification /

edited by Gordon E. Thompson. -- Ashgate, -- c2014. --

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ISBN 1409428362
ISBN13桁 9781409428367
無効なISBN等 9781472430595
テキストの言語 英語                  
分類：NDC10版 930.29
本タイトル Black music, Black poetry :
タイトル関連情報 blues and jazz's impact on African American versification /
著者名 edited by Gordon E. Thompson.
出版地・頒布地 Farnham, Surrey ;
出版者・頒布者名 Ashgate,
出版年・頒布年 c2014.
数量 xvi, 205 p. :
他の形態的事項 ill. ;
大きさ 24 cm.
書誌注記 Includes bibliographical references (p. [181]-192) and index.
内容注記 Authenticity in Black music and poetry -- "Original rags": African-American secular music and the cultural legacy of Paul Laurence Dunbar's poetry / Ray Sapirstein -- Paul Laurence Dunbar and the spirituals / Lauri Ramey -- "Greatest is the song": blues as poetic communication in early Langston Hughes and Sterling A. Brown / John Edgar Tidwell -- "A real, solid, sane, racial something": Langston Hughes's blues poetry / David Chinitz -- Part 2. Jazz: its spiritual lyricism -- The funk aesthetic in African-American poetry / Tony Bolden -- "Go in the wilderness": the missionary impulse of Michael Harper's poetry / Joseph A. Brown -- Part 3. Lyricism and the sonic aesthetic -- Amiri Baraka: phenomenologist of jazz spirit / Christopher Winks -- Nathaniel Mackey's "Song of the andoumboulou": making different music / Scarlett Higgins -- Hearing a new musical instrument: Harryette Mullen's critical lyricism / Lisa Mansell -- Part 4. Transformational lyricism -- "Taking it out!": Jayne Cortez's collaborations with the firespitters / Renee M. Kingan -- Pops, pygmies, and pentecostal fire: Sanders and Thomas's "The creator has a master plan" / Michael Coyle.
要約、抄録、注釈等 Black Music, Black Poetry offers readers a fuller appreciation of the diversity of approaches to reading black American poetry. It does so by linking a diverse body of poetry to musical genres that range from the spirituals to contemporary jazz. The poetry of familiar figures such as Paul Laurence Dunbar and Langston Hughes and less well-known poets like Harryette Mullen or the lyricist to Pharaoh Sanders, Amos Leon Thomas, is scrutinized in relation to a musical tradition contemporaneous with the lifetime of each poet. Black music is considered the strongest representation of black American communal consciousness; and black poetry, by drawing upon such a musical legacy, lays claim to a powerful and enduring black aesthetic. The contributors to this volume take on issues of black cultural authenticity, of musical imitation, and of poetic performance as displayed in the work of Paul Laurence Dunbar, Langston Hughes, Sterling Brown, Amiri Baraka, Michael Harper, Nathaniel Mackey, Jayne Cortez, Harryette Mullen, and Amos Leon Thomas. Taken together, these essays offer a rich examination of the breath of black poetry and the ties it has to the rhythms and forms of black music and the influence of black music on black poetic practice.
著者標目 Thompson, Gordon E.,
一般件名 American poetry -- History and criticism.
Jazz in literature.
資料情報1 『Black music, Black poetry : blues and jazz's impact on African American versification /』　edited by Gordon E. Thompson.　Ashgate,　c2014. （所蔵館：中央　 請求記号：F/930.2/B62/B5　 資料コード：7105964847）
URL https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352015804

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