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[ 洋図書 ] Preserving the dharma : Hōzan Tankai and Japanese Buddhist art of the early modern era / ( Tang Center lecture series )

John M. Rosenfield. -- P.Y. and Kinmay W. Tang Center for East Asian Art, Department of Art and Archaeology Princeton University, -- [2015], --

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ISBN 0691163979
ISBN13桁 9780691163970
テキストの言語 英語                  
分類：NDC10版 702.098
個人著者標目 Rosenfield, John M.,
本タイトル Preserving the dharma :
タイトル関連情報 Hōzan Tankai and Japanese Buddhist art of the early modern era /
著者名 John M. Rosenfield.
その他のタイトル Hōzan Tankai and Japanese Buddhist art of the early modern era
出版地・頒布地 Princeton, New Jersey :
出版者・頒布者名 P.Y. and Kinmay W. Tang Center for East Asian Art, Department of Art and Archaeology Princeton University,
出版年・頒布年 [2015],
数量 199 pages :
他の形態的事項 mostly color illustrations, color maps ;
大きさ 26 cm
書誌注記 Includes bibliographical references (pages 161-170) and index.
内容注記 Birth and Training -- Sacred Mount Ikoma -- Head Priest -- Sculpture -- Pictures -- Eminence -- Appendix A: Hozanji archive -- Appendix B: Shingon priests.
要約、抄録、注釈等 "In this beautifully illustrated book, eminent art historian John Rosenfield explores the life and art of the Japanese Buddhist monk Hozan Tankai (1629-1716). Through a close examination of sculptures, paintings, ritual implements, and primary documents, the book demonstrates how the Shingon prelate's artistic activities were central to his important place in the world of late-seventeenth-century Japanese Buddhism. At the same time, the book shows the richness of early modern Japanese Buddhist art, which has often been neglected and undervalued.Tankai was firmly committed to the spiritual disciplines of mountain Buddhism-seclusion, severe asceticism, meditation, and ritual. But in the 1680s, after being appointed head of a small, run-down temple on the slopes of Mount Ikoma, near Nara, he revealed that he was also a gifted artist and administrator. He embarked on an ambitious campaign of constructing temple halls and commissioning icons, and the Ikoma temple, soon renamed Hōzanji, became a vibrant center of popular Buddhism, as it remains today. He was a remarkably productive artist, and by the end of his life more than 150 works were associated with him.A major reconsideration of a key artistic and religious figure, Preserving the Dharma brings much-needed attention to an overlooked period of Japanese Buddhist art"--Publisher's website.
個人件名 湛海,
生没年等 1629-1716.
統一タイトル(シリーズ副出標目) Tang Center lecture series.
シリーズ名・巻次 Tang Center lecture series 
一般件名 Buddhist art -- Japan.
Art, Japanese -- 20th century.
資料情報1 『Preserving the dharma : Hōzan Tankai and Japanese Buddhist art of the early modern era /』（Tang Center lecture series）　John M. Rosenfield.　P.Y. and Kinmay W. Tang Center for East Asian Art, Department of Art and Archaeology Princeton University,　[2015], （所蔵館：中央　 請求記号：F/702.0/T16/P　 資料コード：7107124186）
URL https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352019712

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