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[ 洋図書 ] African American haiku : cultural visions / ( Margaret Walker Alexander series in African American studies )

edited by John Zheng. -- University Press of Mississippi, -- [2016] --

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ISBN 1496803035 (hardcover)
ISBN13桁 9781496803030 (hardcover)
テキストの言語 英語                  
分類：NDC10版 931.7
本タイトル African American haiku :
タイトル関連情報 cultural visions /
著者名 edited by John Zheng.
出版地・頒布地 Jackson :
出版者・頒布者名 University Press of Mississippi,
出版年・頒布年 [2016]
数量 xxi, 197 pages ;
大きさ 24 cm
書誌注記 Includes bibliographical references and index.
内容注記 Introduction -- The Japanese influence on Richard Wright's haiku / John Zheng -- Richard Wright's haiku, or the poetry of Double Voice / Sachi Nakachi -- James Emanuel's jazz haiku and African American individualism / Yoshinobu Hakutani -- Afro-Asian syncretism in James Emanuel's postmodernist jazz haiku / Virginia Whatley Smith -- "No square poet's job": improvisation in Etheride Knight's haiku / Claude Wilkinson -- An African high priestess of haiku: Sonia Sanchez and the principles of a black aesthetic / Meta L. Schettler -- Writing the (revolutionary) body: the haiku of Sonia Sanchez / Richard A. Iadonisi -- African American aesthetic tradition in Lenard D. Moore's haiku / Toru Kiuchi -- Sequences of events: African American communal narratives in the haiku of Lenard D. Moore / C. E. Rosenow -- Contextualizing Renso and Sankofa: a cultural and critical exploration of Lenard D. Moore's haiku / Sheila Smith McKoy -- Contricutors -- Index.
要約、抄録、注釈等 "African American Haiku: Cultural Visions offers insights into African American poets' innovations in the haiku form, shedding light on a neglected aspect of black poetry. Notable scholars present new interpretations of well-known works. Essays trace the verse of five major African American haiku poets: Richard Wright, James Emanuel, Etheridge Knight, Sonia Sanchez, and Lenard D. Moore. Sachi Nakachi investigates the influence of Japanese aesthetics and Eastern philosophy on Richard Wright's haiku showing Wright's interest in the blues as poetry. Yoshinobu Hakutani analyzes the vision and affinity of jazz and haiku throughout James Emanuel's Jazz from the Haiku King. And Claude Wilkinson digs into Etheridge Knight's improvisation and adherence to tradition of haiku and African American vernacular form. The collection also explores how Sanchez creates a new American hybrid form of the modern haiku in English by blending haiku with her own principles of a black aesthetic. Toru Kiuchi shows how Lenard D. Moore expresses his experiences through haiku with his African American aesthetics and connections to black southern culture. By discussing multiple writers from a variety of disciplines in a single volume, the essayists compare and contrast the work created by writers, poets, and musicians, and illuminate the variety of methods African American authors used when adapting this traditional Japanese form. The result is a volume that offers rich insight into African American aesthetics, the black arts movement, gender issues, blues and jazz, and trends in contemporary poetry"--
個人件名 Wright, Richard,
著者標目 Zheng, Jianqing,
統一タイトル(シリーズ副出標目) Margaret Walker Alexander series in African American studies.
シリーズ名・巻次 Margaret Walker Alexander series in African American studies 
一般件名 American poetry -- History and criticism.
American poetry -- Foreign influences.
資料情報1 『African American haiku : cultural visions /』（Margaret Walker Alexander series in African American studies）　edited by John Zheng.　University Press of Mississippi,　[2016] （所蔵館：中央　 請求記号：F/931.7/A25/A　 資料コード：7107401150）
URL https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352020417

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