| ISBN |
0300215568 (hardcover)
|
| ISBN13桁 |
9780300215564 (hardcover)
|
| テキストの言語 |
英語
|
| 分類：NDC10版 |
723.33
|
| 個人著者標目 |
Solkin, David H.,
|
| 本タイトル |
Art in Britain, 1660-1815 /
|
| 著者名 |
David H. Solkin.
|
| 出版地・頒布地 |
[New Haven, Connecticut] :
|
| 出版者・頒布者名 |
Yale University Press ;
|
| 出版年・頒布年 |
[2015]
|
| 数量 |
377 pages :
|
| 他の形態的事項 |
color illustrations ;
|
| 大きさ |
30 cm
|
| 書誌注記 |
Includes bibliographical references (pages 339-367) and index.
|
| 内容注記 |
From restoration to 'revolution', 1660-88. Restoration and representation ; The politics of portraiture, c. 1660-75 ; Representing nature in later seventeenth-century Britain ; Party, politics, portraiture and print : from the exclusion crisis to the 'Glorious Revolution' -- Court, country, city, town, 1688-c. 1730. After the 'Glorious Revolution' : remaking the image of a ruling class ; Making history after the 'Glorious Revolution' ; Representing country life, c. 1695-1725 ; Curiosity, commerce and conversation -- From politeness into grandeur : British art in the reign of George II. The portraiture of politeness, c. 1730-5 ; Painting and the public sphere, c. 1730-50 ; The classical and the modern : developments in landscape in the 1740s ; From island to empire : the cosmopolitan turn in British art, 1737-60 -- The age of exhibitions, 1760-92. Dreams of grandeur and marketplace realities : history-painting in Britain from Vauxhall Gardens to the Shakespeare Gallery ; Portraiture takes the public stage ; Landscape art and its audiences ; The empire of sensibility -- Made in Britain: towards a national visual culture, 1793-1815. Revolution and reaction ; British genius and British nature : depicting the domestic landscape in the wartime years ; Revolution, war and the painting of everyday life ; Divided likenesses : portraiture and the end of social consensus ; Painting history between Trafalgar and Waterloo.
|
| 要約、抄録、注釈等 |
"Art in Britain 1660-1815 presents the first social history of British art from the period known as the long 18th century, and offers a fresh and challenging look at the major developments in painting, drawing, and printmaking that took place during this period. It describes how an embryonic London art world metamorphosed into a flourishing community of native and immigrant practitioners, whose efforts ultimately led to the rise of a British School deemed worthy of comparison with its European counterparts. Within this larger narrative are authoritative accounts of the achievements of celebrated artists such as Peter Lely, William Hogarth, Thomas Gainsborough, and J.M.W. Turner. David H. Solkin has interwoven their stories and many others into a critical analysis of how visual culture reinforced, and on occasion challenged, established social hierarchies and prevailing notions of gender, class, and race as Britain entered the modern age. More than 300 artworks, accompanied by detailed analysis, beautifully illustrate how Britain's transformation into the world's foremost commercial and imperial power found expression in the visual arts, and how the arts shaped the nation in return"--
|
| 言語注記 |
Text in English.
|
| 統一タイトル(シリーズ副出標目) |
Yale University Press Pelican history of art.
|
| シリーズ名・巻次 |
Yale University Press Pelican history of art |
| 一般件名 |
Art, British -- 18th century.
Art and society -- History -- Great Britain -- 18th century. |
| 地名件名 |
Great Britain.
|
| 資料情報1 |
『Art in Britain, 1660-1815 /』（Yale University Press Pelican history of art） David H. Solkin. Yale University Press ; [2015]
（所蔵館：中央
請求記号：DF/723.3/S68/A
資料コード：7107569537）
|
| URL |
https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352020869 |
