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[ 洋図書 ] Women in Japanese cinema : alternative perspectives /

Tamae K. Prindle. -- MerwinAsia, -- [2016], --

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中央 3階B 一般洋図書 F/778.2/P95/W 7108396556 配架図 Digital BookShelf
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ISBN 0983299153 (hardcover)
ISBN13桁 9780983299158 (hardcover)
テキストの言語 英語                  
分類：NDC10版 778.21
個人著者標目 Prindle, Tamae K.,
生没年等 1944-
本タイトル Women in Japanese cinema :
タイトル関連情報 alternative perspectives /
著者名 Tamae K. Prindle.
出版地・頒布地 Portland, Maine :
出版者・頒布者名 MerwinAsia,
出版年・頒布年 [2016],
数量 viii, 497 pages :
他の形態的事項 illustrations ;
大きさ 24 cm
書誌注記 Includes bibliographical references (pages 457-493) and filmography (pages 494-495).
内容注記 Acknowledgments -- Introduction. Chapter 1. Mothers : Imamura Shōhei's The Ballad of Narayayama (1983) -- Naruse Mikio's Mother (1952) -- Idemitsu Mako's Great Mother (1983) -- Chapter 1 endnotes. Chapter 2. Wives : Kinugasa Teinosuke's Gate of Hell (1953) -- Kurosawa Akira's No Regrets for Our Youth (1946) -- Ichikura Haruo's Duty and Pretence (1997) -- Chapter 2 endnotes. Chapter 3. Prostitutes : Toyoda Shirō's The Mistress (1953) -- Kumai Kei's Sandakan brothel No. 8 (1974) -- Takahashi Banmei's Le Nouveau Monde Amoureux (1994) -- Chapter 3 endnotes. Chapter 4. Girls : Nishikawa Katsumi's A Dancer in Izu (1974) -- Ōhbayashi Nobuhiko's Chizuko's Younger Sister (1991) -- Ichikawa Jun's Tsugumi (1990) -- Chapter 4 endnotes. Chapter 5. Women : Mizoguchi Kenji's Life of Oharu (1952) -- Itami Jūzō's Tampopo (1985) -- Ishikawa Atsushi's Grass-Carp on a Tree (1997) -- Chapter 5 endnotes. Appendices : Appendix 1. "Mother Picture" (haha-mono) and "Mother Nature" (bosei) -- Appendix 2. Japanese ecofeminism -- Appendix 3. Patriarchy -- Appendix 4. "Good wife and wise mother" (ryōsai kenbo) -- Appendix 5. Wataru's monologue in Kikuchi Kan's "Kesa's Husband" (kesa no otto) -- Appendix 6. Shōjo in historical context -- Appendix 7. Fūzoku -- Appendix 8. Postmodernism -- Appendix 9. Transsexuality related chronology in Japan -- Appendices endnotes. Bibliography of texts, Japanese. Bibliography of texts, English. List of films discussed in the main text. About the author.
要約、抄録、注釈等 By studying Japanese films and their associated literature, Tamae K. Prindle reveals the covert stories of Japanese women versus orthodox history. Fifteen films bring this theme into focus. "Mother," "Wife," "Prostitute," "Girl," and "Woman," represent categories the public used to code Japanese women in the pre-feminist age. Each chapter features three films depicting women in the premodern age, in the World War II period, and in late twentieth-century Japan, and each embraces the three films within the perspective of ecological feminism, sexuality, alienation, illusion, and power-over/power-to. Shedding light on cultural, historical and/or ideological backgrounds of the films under study in important new ways, this book breaks new ground in the study of women in Japanese culture.--Adapted from page 4 of cover.
一般件名 Motion pictures -- Women -- Japan.
Women in motion pictures.
資料情報1 『Women in Japanese cinema : alternative perspectives /』　Tamae K. Prindle.　MerwinAsia,　[2016], （所蔵館：中央　 請求記号：F/778.2/P95/W　 資料コード：7108396556）
URL https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352022962

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