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[ 洋図書 ] Tokyo boogie-woogie : Japan's pop era and its discontents /

Hiromu Nagahara. -- Harvard University Press, -- 2017. --

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所蔵館	所蔵場所	資料区分	請求記号	資料コード	所蔵状態	資料の利用
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中央	3階B	一般洋図書	F/767.8/N14/T	7108851963		配架図 Digital BookShelf
2017/07/19	可能	利用可			0

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資料詳細

ISBN	0674971698 (hardcover)
ISBN13桁	9780674971691 (hardcover)
テキストの言語	英語
分類：NDC10版	767.8
個人著者標目	永原宣
本タイトル	Tokyo boogie-woogie :
タイトル関連情報	Japan's pop era and its discontents /
著者名	Hiromu Nagahara.
出版地・頒布地	Cambridge, Massachusetts :
出版者・頒布者名	Harvard University Press,
出版年・頒布年	2017.
数量	273 pages :
他の形態的事項	illustrations ;
大きさ	22 cm.
書誌注記	Includes bibliographical references and index.
内容注記	Introduction: The popular song era -- The invention of popular song -- The state as critic and consumer -- The long war on popular song -- Boogie-woogie democracy -- The end of popular song and of critique -- Conclusion: The television age and beyond.
要約、抄録、注釈等	Between the late 1920s and 1960s, Japan's recording industry produced songs that they simply labeled, "Popular Songs" (ryūkōka). Emerging within the context of the dramatic expansion of mass media during some of the most volatile decades in Japanese history, this musical genre came to occupy the mainstream of Japan's commercial music scene. Tokyo Boogie-Woogie is the first book-length, historical study in English of this musical phenomenon and its impact on the politics of culture in modern Japan. The book focuses on the broad range of self-appointed popular song critics, including musicians, intellectuals, political activists, and government officials, all of whom engaged in a series of contentious debates on these songs' cultural and social merits, or, more frequently, the lack thereof.-- Provided by publisher.,"In this first English-language history of the origins and impact of the Japanese pop music industry, Hiromu Nagahara connects the rise of mass entertainment, epitomized by ryūkōka ("popular songs"), with Japan's transformation into a middle-class society in the years after World War II. With the arrival of major international recording companies like Columbia and Victor in the 1920s, Japan's pop music scene soon grew into a full-fledged culture industry that reached out to an avid consumer base through radio, cinema, and other media. The stream of songs that poured forth over the next four decades represented something new in the nation's cultural landscape. Emerging during some of the most volatile decades in Japan's history, popular songs struck a deep chord in Japanese society, gaining a devoted following but also galvanizing a vociferous band of opponents. A range of critics--intellectuals, journalists, government officials, self-appointed arbiters of taste--engaged in contentious debates on the merits of pop music. Many regarded it as a scandal, evidence of an increasingly debased and Americanized culture. For others, popular songs represented liberation from the oppressive political climate of the war years. Tokyo Boogie-Woogie is a tale of competing cultural dynamics coming to a head just as Japan's traditionally hierarchical society was shifting toward middle-class democracy. The pop soundscape of these years became the audible symbol of changing times." -- Publisher's description
一般件名	Popular music -- History and criticism. -- Japan Popular music -- History -- Japan -- 20th century.
地名件名	Japan.
資料情報1	『Tokyo boogie-woogie : Japan's pop era and its discontents /』　Hiromu Nagahara.　Harvard University Press,　2017. （所蔵館：中央　請求記号：F/767.8/N14/T　資料コード：7108851963）
URL	https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352025410

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