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[ 洋図書 ] Portraiture and early studio photography in China and Japan /

edited by Luke Gartlan and Roberta Wue. -- Routledge, -- 2017. --

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ISBN 147248438X (hardback)
ISBN13桁 9781472484383 (hardback)
テキストの言語 英語  中国語  日本語              
分類：NDC10版 740.21
本タイトル Portraiture and early studio photography in China and Japan /
著者名 edited by Luke Gartlan and Roberta Wue.
出版地・頒布地 Abingdon, Oxon :
出版者・頒布者名 Routledge,
出版年・頒布年 2017.
数量 xv, 252 pages, 16 unnumbered pages of plates :
他の形態的事項 illustrations (some color), portraits (some color) ;
大きさ 26 cm.
一般注記 "An Ashgate Book"--Cover.
書誌注記 Includes bibliographical references (pages 224-242) and index.
内容注記 1. Introduction / Luke Gartlan and Roberta Wue -- 2. Shimizu Tōkoku and the Japanese carte-de-visite : circumscriptions of Yokohama photography / Luke Gartlan -- 3. Group encounters : Milton M. Miller's Hong Kong and Canton photographs / Roberta Wue -- 4. Powkee and the era of large studios / Yi Gu -- 5. Guiding the sitter : Matsuzaki Shinji's dos and dont's for the photographic customer / Sebastian Dobson -- 6. Chinese ideas of likeness : photography, painting, and intermediality / Claire Roberts -- 7. Inscribed photographic portraits : commermoration and self-fashioning in republican-period China / Richard K. Kent -- 8. One, and the same : the photographic double in republican China / H. Tiffany Lee -- 9. The fluidity of representation : early photographs, Asakusa, and Kabuki / Maki Fukuoka --- 10. From private to public : shifting conceptions of women's portrait photography in late Meiji Japan / Karen M. Fraser -- 11. The republican lady, the courtesan, and the photograph : visiblity and sexuality in early twentieth-century China / Joan Judge.
要約、抄録、注釈等 This volume explores the early history of the photographic studio and portrait in China and Japan. The institution of the photographic studio has received relatively little attention in the history of photography; contributors here investigate various manifestations of the studio as a place and as a space that was cultural, economic, and creative. Its authors also look closely at the studio portrait not as images alone, but also as collaborative ventures between studio operators and sitters, opportunities to invent new roles, images which merged the new medium with "traditional" visual practices, as well as the portrait's part in devising modern, gendered, nationalistic, and public identities for its subjects. As the first collection of its kind, Portraiture and Early Studio Photography in China and Japan analyzes the photographic likeness - its producers, subjects, viewers, and pictorial forms - and argues for the historical significance of the photographic studio as a specific and new space central to the formation of new identities and communities. Photography's identity as a transnational technology is thus explored through the local uses, adaptations, and assimilations of the imported medium, presenting modern images of their subjects in specific Japanese and Chinese contexts.
言語注記 Text in English, glossary in English, Chinese and Japanese characters.
著者標目 Gartlan, Luke.
Wue, Roberta.
一般件名 Photography -- History. -- China
Photography -- History. -- Japan
地名件名 China.
Japan.
資料情報1 『Portraiture and early studio photography in China and Japan /』　edited by Luke Gartlan and Roberta Wue.　Routledge,　2017. （所蔵館：中央　 請求記号：F/740.2/P85/P　 資料コード：7108994240）
URL https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352025941

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