David Bindman, Suzanne Preston Blier, and Henry Louis Gates, Jr., general editors ; Karen C.C. Dalton, associate editor. -- The Belknap Press of Harvard University Press : -- 2017. --

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ISBN 0674504399 (alk. paper)
ISBN13桁 9780674504394 (alk. paper)
テキストの言語 英語                  
分類:NDC10版 702.4
本タイトル The image of the Black in African and Asian art /
著者名 David Bindman, Suzanne Preston Blier, and Henry Louis Gates, Jr., general editors ; Karen C.C. Dalton, associate editor.
出版地・頒布地 Cambridge, Massachusetts :
出版者・頒布者名 The Belknap Press of Harvard University Press :
出版年・頒布年 2017.
数量 x, 434 pages :
他の形態的事項 illustrations (chiefly col.), col. maps ;
大きさ 29 cm.
書誌注記 Includes bibliographical references and index.
内容注記 Introduction / David Bindman -- Part I. Africa: Images of Africans by and of themselves: historical and comparative factors / Suzanne Preston Blier -- The body in African art / Kristina Van Dyke -- Masquerade in Sub-Saharan Africa / John Picton -- The image of the Black in early African photography / Christraud M. Geary -- The image of the Black in modern and contemporary African art / Steven Nelson -- Part II. Asia: The image of the Black in Islamic art: the case of painting / Robert Hillenbrand -- The image of the Black in India / John McLeod and Kenneth X. Robbins -- The image of the Black in Chinese art / Don J. Wyatt -- The image of the Black in Japanese art: from the beginnings to 1850 / Timon Screech -- The image of the Black in Japanese art: nineteenth century to the present day / Alicia Volk.
要約、抄録、注釈等 The book moves beyond the "West", that is to say Europe, the Americas and the Caribbean, to consider the art of Africa and the world to the east, to represent and place in historical context images of people of sub-Saharan African descent. The question remains: what does it mean for an artist of African descent to make an image of him or herself, or another person of African descent, as opposed to an image of a Black person created by an artist who is not Black? This vexed question has been at the heart of debates about "identity politics" for a very long time. In other words, in collecting images of Black subjects created by Black artists, whether from Africa or the African diaspora, we are not making epistemological or ontological claims about a work of art's so-called "authenticity," nor of its artistic quality. We simply see these works as their own canon, as another way of organizing viewing and explicating images of the Black subject in art, one related to Euro-American traditions of representation, but simultaneously with an order and history of their own as well, in the same way that a novel, let's say, by Toni Morrison exists simultaneously in the canon of American literature and of African American literature, among other literary traditions.-- Provided by publisher
著者標目 Bindman, David, 1940-
Blier, Suzanne Preston.
Gates, Henry Louis, Jr.,
Dalton, Karen C. C., 1948-
団体名(副出標目) Hutchins Center for African and African American Research.
一般件名 Blacks in art.
Art and race.
資料情報1 『The image of the Black in African and Asian art /』 David Bindman, Suzanne Preston Blier, and Henry Louis Gates, Jr., general editors ; Karen C.C. Dalton, associate editor. The Belknap Press of Harvard University Press : 2017. (所蔵館:中央  請求記号:DF/702.4/I31/I  資料コード:7109147573)
URL https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352026582