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[ 洋図書 ] Russian music at home and abroad : new essays /

Richard Taruskin. -- University of California Press, -- c2016. --

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ISBN 0520288084 (hardcover ; alkaline paper)
ISBN13桁 9780520288089 (hardcover ; alkaline paper)
テキストの言語 英語                  
分類：NDC10版 762.38
個人著者標目 Taruskin, Richard.
本タイトル Russian music at home and abroad :
タイトル関連情報 new essays /
著者名 Richard Taruskin.
出版地・頒布地 Oakland, California :
出版者・頒布者名 University of California Press,
出版年・頒布年 c2016.
数量 x, 543 pages :
他の形態的事項 illustrations, music ;
大きさ 24 cm.
書誌注記 Includes bibliographical references and index.
内容注記 Introduction: my wonderful world; or, dismembering the triad -- Non-nationalists and other nationalists -- Revenants -- Crowd, mob, and nation in Boris Godunov: what did Musorgsky think, and does it matter? -- Catching up with Rimsky-Korsakov -- Not modern and loving it -- Written for elephants: notes on Rach 3 -- Is there a "Russia abroad" in music? -- Turania revisited, with Lourié my guide -- The ghetto and the imperium -- Two serendipities: keynoting a conference, "Music and power" -- What's an awful song like you doing in a nice piece like this? The finale in Prokofieff's Symphony-concerto, op. 125 -- The birth of contemporary Russia out of the spirit of music (not) -- Just how Russian was Stravinsky? -- How the rite became possible -- Diaghilev without Stravinsky? Stravinsky without Diaghilev? -- Resisting the Rite -- Stravinsky's poetics and Russian music -- Did he mean it? -- In Stravinsky's songs, the true man, no ghostwriters -- "Un cadeau très macabre."
要約、抄録、注釈等 "This collection views Russian music through the Greek triad of 'the Good, the True, and the Beautiful' to investigate how the idea of 'nation' embeds itself in the public discourse about music and other arts with results at times invigorating, at times corrupting. In our divided, post-Cold War, and now post-9/11 world, Russian music, formerly a quiet corner on the margins of musicology, has become a site of noisy contention. Richard Taruskin assesses the political and cultural stakes that attach to it in the era of Pussy Riot and renewed international tensions, before turning to individual cases from the nineteenth century to the present. Much of the volume is devoted to the resolutely cosmopolitan but inveterately Russian Igor Stravinsky, one of the major forces in the music of the twentieth century and subject of particular interest to composers and music theorists all over the world. Taruskin here revisits him for the first time since the 1990s, when everything changed for Russia and its cultural products. Other essays are devoted to the cultural and social policies of the Soviet Union and their effect on the music produced there as those policies swung away from Communist internationalism to traditional Russian nationalism; to the musicians of the Russian postrevolutionary diaspora; and to the tension between the compelling artistic quality of works such as Stravinsky's Sacre du Printemps or Prokofieff's Zdravitsa and the antihumanistic or totalitarian messages they convey. Russian Music at Home and Abroad addresses these concerns in a personal and critical way, characteristically demonstrating Taruskin's authority and ability to bring living history out of the shadows."--Provided by publisher.
個人件名 Stravinsky, Igor,
生没年等 1882-1971
一般件名細目 Criticism and interpretation.
団体件名 Sovetskaja Associacija Meždunarodnogo Prava
一般件名 Music -- History and criticism. -- Russia
MUSIC -- Classical.
地名件名 Russia.
Russland
資料情報1 『Russian music at home and abroad : new essays /』　Richard Taruskin.　University of California Press,　c2016. （所蔵館：中央　 請求記号：F/762.3/T19/R　 資料コード：7109269594）
URL https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352027098

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