| ISBN |
1107137896 (hardback)
|
| ISBN13桁 |
9781107137899 (hardback)
|
| テキストの言語 |
英語
|
| 分類：NDC10版 |
766.1
|
| 個人著者標目 |
Harris-Warrick, Rebecca.
|
| 本タイトル |
Dance and drama in French baroque opera :
|
| タイトル関連情報 |
a history /
|
| 著者名 |
Rebecca Harris-Warrick.
|
| 出版地・頒布地 |
Cambridge, England ;
|
| 出版者・頒布者名 |
Cambridge University Press,
|
| 出版年・頒布年 |
2016.
|
| 数量 |
xx, 484 pages :
|
| 他の形態的事項 |
illustrations, music :
|
| 大きさ |
26 cm.
|
| 書誌注記 |
Includes bibliographical references (pages 457-471) and indexes.
|
| 内容注記 |
Introduction -- Part I. Lully -- 1. The dramaturgy of Lully's divertissements -- 2. Constructing the divertissement -- 3. Dance foundations -- 4. Dance practices on stage -- 5. Prologues -- 6. The lighter side of Lully -- Part II. The Rival Muses in the Age of Campra: 7. The muses take the stage -- 8. Thalie, muse of comedy -- 9. Thalie visits the fairs -- 10. The contested comic -- 11. Melpomène, muse of tragedy -- 12. Melpomène adapts -- 13. Terpsichore, muse of the dance -- 14. In the traces of Terpsichore -- Epilogue -- Appendix 1. Works performed at the Academie Royale de Musique, 1695-1732, in which the impact of the come die italienne can be seen -- Appendix 2. A partial list of performances consisting of fragments, 1702-32 -- Appendix 3. Notated Choreographies danced at the Opéra (1693-1713).
|
| 要約、抄録、注釈等 |
Since its inception, French opera has embraced dance, yet all too often operatic dancing is treated as mere decoration. This book exposes the multiple and meaningful roles that dance has played, starting from Jean-Baptiste Lully's first opera in 1672. It counters prevailing notions in operatic historiography that dance was parenthetical and presents compelling evidence that the divertissement is essential to understanding the work. The book considers the operas of Lully and the 46-year period between the death of Lully and the arrival of Rameau, when influences from the commedia dell'arte and other theatres began to inflect French operatic practices. It explores the intersections of musical, textual, choreographic and staging practices at a complex institution - the Academie Royale de Musique - which upheld as a fundamental aesthetic principle the integration of dance into opera.
|
| 個人件名 |
Lully, Jean-Baptiste,
|
| 生没年等 |
1632-1687.
|
| 著作のタイトル |
Operas.
|
| 統一タイトル(件名) |
Operas (Lully, Jean-Baptiste)
|
| 統一タイトル(シリーズ副出標目) |
Cambridge studies in opera.
|
| シリーズ名・巻次 |
Cambridge studies in opera |
| 一般件名 |
Dance in opera -- History -- 17th century.
Dance in opera -- History -- 18th century. |
| 地名件名 |
France.
Frankreich |
| 資料情報1 |
『Dance and drama in French baroque opera :
a history / 』（Cambridge studies in opera） Rebecca Harris-Warrick. Cambridge University Press, 2016.
（所蔵館：中央
請求記号：F/766.1/H32/D
資料コード：7109371032）
|
| URL |
https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352027279 |
