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[ 洋図書 ] Japonismes-impressionnismes /

sous la direction de Marina Ferretti Bocquillon ; contributions de Geneviève Aitken [and four others]. -- Gallimard, -- c2018. --

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ISBN 2072784867 (paperback)
ISBN13桁 9782072784866 (paperback)
テキストの言語 フランス語                  
分類：NDC10版 723.05
本タイトル Japonismes-impressionnismes /
著者名 sous la direction de Marina Ferretti Bocquillon ; contributions de Geneviève Aitken [and four others].
出版地・頒布地 Paris :
出版者・頒布者名 Gallimard,
出版年・頒布年 c2018.
数量 215 pages :
他の形態的事項 color illustrations ;
大きさ 29 cm.
一般注記 Published in conjunction with the exhibition "Japonismes/impressionnismes," organized by the Musée des impressionnismes Giverny in collaboration with Arp Museum Bahnhof Rolandseck, Remagen, and presented March 30-July 15, 2018 in Giverny, then August 26, 2018-January 20, 2019 in Remagen.
書誌注記 Includes bibliographical references (pages 212-215).
要約、抄録、注釈等 The commercial and diplomatic opening of Japan in 1868 revealed to Western artists an aesthetic radically different from that which had been taught to them for centuries. Unceasingly reinterpreted, the ancient model reigned over the arts since the Renaissance. Japanese art offered a novel plastic vocabulary, which soon inspired the whole of artistic creation in Europe and the United States. The aesthetics of the Ukiyo-e were based on codes radically different from those taught to the students of the School of Fine Arts. The effectiveness of his images was due to the vividness of the colors, the absence of any modeling or volume of the forms treated in solid colors, as well as the originality of compositions based on asymmetry. In addition, like the Impressionists, the masters of print did not claim to deliver any message other than the celebration of nature and contemporary life. The most innovative painters were sensitive to the refinement of an art that met their aspirations, paving the way for a real aesthetic revolution. Since the 1980s, Japanism has been the subject of numerous exhibitions and the phenomenon has proved so vast that it seems to us more relevant today to evoke its manifestations in the plural, as we prefer to speak of impressionism. Our project focuses on its impact in the work of painters of the Impressionist and Post-Impressionist generation, from the 1870s to the dawn of the XX th century. Claude Monet, who was one of the first French artists to take an interest in Japanese printmaking, is at the center of our presentation and the exhibition makes perfect sense in Giverny.
著者標目 Bocquillon-Ferretti, Marina.
Aitken, Geneviève.
団体名(副出標目) Musée des impressionnismes (Giverny, France).
一般件名 Japonism -- Exhibitions.
Impressionism (Art) -- Exhibitions.
地名件名 France -- Giverny.
資料情報1 『Japonismes-impressionnismes /』　sous la direction de Marina Ferretti Bocquillon ; contributions de Geneviève Aitken [and four others].　Gallimard,　c2018. （所蔵館：中央　 請求記号：DF/723.0/J35/J2　 資料コード：7110609026）
URL https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352031831

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