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[ 洋図書 ] Grasping shadows : the dark side of literature, painting, photography, and film /

William Chapman Sharpe. -- Oxford University Press, -- c2017. --

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ISBN 0190675276 (hardback)
ISBN13桁 9780190675271 (hardback)
無効なISBN等 9780190682262 (epub)
テキストの言語 英語                  
分類：NDC10版 701.1
個人著者標目 Sharpe, William.
本タイトル Grasping shadows :
タイトル関連情報 the dark side of literature, painting, photography, and film /
著者名 William Chapman Sharpe.
出版地・頒布地 New York :
出版者・頒布者名 Oxford University Press,
出版年・頒布年 c2017.
数量 xvii, 420 pages :
他の形態的事項 color illustrations ;
大きさ 26 cm.
書誌注記 Includes bibliographical references (pages 395-410) and index.
内容注記 Introduction: the shadow landscape -- The shadow speaks -- The vital shadow -- The look-elsewhere shadow -- The completing shadow -- The independent shadow -- City of shadows
要約、抄録、注釈等 "With the shadow's seductive associations to sexuality, mystery, danger, intangible power, and death, the use of shadows as artistic technique saturates both classic and modern art forms, and yet the practice remains almost invisible. As the first full-length study of art shadows in over a decade, Grasping Shadows ranges from classic works by Rembrandt, Dickens, Picasso, Disney, and Warhol to contemporary street art, popular songs, billboards, and architecture to propose a general theory of how all shadows function in texts and visual media, ultimately offering four main categories. Sharpe explores the diverse ways shadows appear in literature, painting, photography, and film, insisting that literary and visual meanings of shadows cannot be separated, and that art-shadows must be analyzed as part of a cultural field in which words and images continually overlap and reinforce each other's meanings. Beginning with a summary of scholarship to date, the introduction addresses how real-world shadows function, and gives an overview of the strategies involved in representing shadows from the Renaissance onward. The first chapter sets out a theory of how the meanings of shadows are generated. Subsequent chapters, each centered on an influential literary text, explore in detail the four kinds of shadows that visual artists and writers use. The last chapter presents a case study of how shadows have impacted the art of the modern city, from Renoir and Zola to film noir to advanced projection systems capturing the shadows of passers-by on streets around the globe. The book concludes with a philosophical meditation on how living with shadows enriches everyday life. "-- Provided by publisher.,"Grasping Shadows is the most comprehensive book to date on the artistic use of cast shadows, the first to offer a general theory of how all shadows function in texts and visual images. Accessibly written, it gives new insight into classic works while also exploring contemporary street art, popular songs, and advertising"-- Provided by publisher.
一般件名 Shades and shadows in art.
Shades and shadows in literature.
資料情報1 『Grasping shadows : the dark side of literature, painting, photography, and film /』　William Chapman Sharpe.　Oxford University Press,　c2017. （所蔵館：中央　 請求記号：F/701.1/S53/G　 資料コード：7110825684）
URL https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352032926

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