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[ 洋図書 ] Imitation and creativity in Japanese arts : from Kishida Ryūsei to Miyazaki Hayao / ( Asia perspectives : history, society, and culture )

Michael Lucken ; translated by Francesca Simkin. -- Columbia University Press, -- c2016. --

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ISBN 0231172923 (cloth : acid-free paper)
ISBN13桁 9780231172929 (cloth : acid-free paper)
無効なISBN等 9780231540544 (e-book)
テキストの言語 英語                  
分類：NDC10版 702.16
個人著者標目 Lucken, Michael.
本タイトル Imitation and creativity in Japanese arts :
タイトル関連情報 from Kishida Ryūsei to Miyazaki Hayao /
著者名 Michael Lucken ; translated by Francesca Simkin.
出版地・頒布地 New York :
出版者・頒布者名 Columbia University Press,
出版年・頒布年 c2016.
数量 vi, 248 pages :
他の形態的事項 illustrations ;
大きさ 24 cm.
書誌注記 Includes bibliographical references (p. 231-236) and index.
内容注記 A historical construction. Copycat Japan -- The West and the invention of creation -- The denial, rejection, and sublimation of imitation -- No poaching -- Seen from Japan -- The logic of reflection in Nakai Masakazu -- A new place for imitation. Kishida Ryusei's portraits of Reiko, or, how can ghosts be at work? -- Kurosawa Akira's Ikiru, or, the impossibility of metaphor -- Araki Nobuyoshi's Sentimental journey-winter, or, eternal bones -- Miyazaki Hayao's Spirited away, or, the adventure of the obliques -- Conclusion.
要約、抄録、注釈等 "The idea that Japanese art is produced through rote copy and imitation is an eighteenth-century colonial construct, with roots in Romantic ideals of originality. Offering a much-needed corrective to this critique, Michael Lucken demonstrates the distinct character of Japanese mimesis and its dynamic impact on global culture, showing through several twentieth-century masterpieces the generative and regenerative power of Japanese arts. Choosing a representative work from each of four modern genres--painting, film, photography, and animation--Lucken portrays the range of strategies that Japanese artists use to re-present contemporary influences. He examines Kishida Ryusei's portraits of Reiko (1914-1929), Kurosawa Akira's Ikiru (1952), Araki Nobuyoshi's photographic novel Sentimental Journey--Winter (1991), and Miyazaki Hayao's popular anime film Spirited Away (2001), revealing the sophisticated patterns of mimesis that are unique but not exclusive to modern Japanese art. In doing so, Lucken identifies the tensions that drive the Japanese imagination, which are much richer than a simple opposition between progress and tradition, and their reflection of human culture's universal encounter with change. This global perspective explains why, despite its non-Western origins, Japanese art has earned such a vast following."--Publisher's description.
個人件名 岸田 劉生,
生没年等 1891-1929
一般件名細目 Criticism and interpretation.
著者標目 Simkin, Francesca,
統一タイトル(シリーズ副出標目) Asia perspectives.
シリーズ名・巻次 Asia perspectives : history, society, and culture 
一般件名 Creation (Literary, artistic, etc.)
Imitation in art.
資料情報1 『Imitation and creativity in Japanese arts : from Kishida Ryūsei to Miyazaki Hayao /』（Asia perspectives : history, society, and culture）　Michael Lucken ; translated by Francesca Simkin.　Columbia University Press,　c2016. （所蔵館：中央　 請求記号：F/702.1/L94/I　 資料コード：7110834119）
URL https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352033104

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