ISBN |
3770562852 (pbk.)
|
ISBN13桁 |
9783770562855 (pbk.)
|
テキストの言語 |
英語
|
分類:NDC10版 |
701.1
|
本タイトル |
The art of Hegel's aesthetics :
|
タイトル関連情報 |
Hegelian philosophy and the perspectives of art history /
|
著者名 |
edited by Paul A. Kottman and Michael Squire.
|
出版地・頒布地 |
Paderborn :
|
出版者・頒布者名 |
Wilhelm Fink,
|
出版年・頒布年 |
c2018.
|
数量 |
389 pages, 16 pages of plates :
|
他の形態的事項 |
illustrations (some color), portraits ;
|
大きさ |
24 cm.
|
一般注記 |
International conference proceedings.
|
書誌注記 |
Includes bibliographical references.
|
内容注記 |
MICHAEL SQUIRE, Introduction: Hegel and art history ; WHITNEY DAVIS, The Absolute in the mirror: Symbolic art and cosmological perspectivism ; JULIA PETERS, Hegel on Spirit, nature and the function of classical art ; MICHAEL SQUIRE, Unser Knie beugen wir doch nicht mehr? Hegel, classical art and the Reformation of art history ; FRED RUSH, Still life and the end of painting ; HANNEKE GROOTENBOER, The self-conscious image: Painting and Hegel's idea of reflection ; ROBERT PIPPIN, Hegel on painting ; T.J. CLARK, Beauty lacks strength: Hegel and the art of his century ; PAUL A. KOTTMAN, Hegel and Shakespeare on the pastness of art ; INGVILD TORSEN, The future of Hegelian art history: On the body in late modern sculpture ; SEBASTIAN GARDNER, Art's loss of vocation: Hegel and Philosophical Romanticism ; PAUL A. KOTTMAN Envoi: The art of Hegel's aesthetics.
|
要約、抄録、注釈等 |
This volume explores one of modernity?s most profound and far-reaching philosophies of art: the Vorlesungen über die Ästhetik, delivered by Georg Friedrich Wilhelm Hegel in the 1820s. The book has two overriding objectives: first, to ask how Hegel?s work illuminates specific periods and artworks in light of contemporary art-historical discussions; second, to explore how art history helps us make better sense and use of Hegelian aesthetics.00In bringing together a range of internationally acclaimed critical voices, the volume establishes an important disciplinary bridge between aesthetics and art history. Given the recent resurgence of interest in ?global? art history, and calls for more comparative approaches to ?visual culture?, contributors ask what role Hegel has played within the field ? and what role he could play in the future. What can a historical treatment of art accomplish? How should we explain the ?need? for certain artistic forms at different historical junctures? Has art history been ?Hegelian? without fully acknowledging it? Indeed, have art historians shirked some of the fundamental questions that Hegel raised?
|
個人件名 |
Hegel, Georg Wilhelm Friedrich,
|
生没年等 |
1770-1831
|
形式件名細目 |
Congresses.
|
著者標目 |
Kottman, Paul A.,
1970-.
Squire, Michael.
|
統一タイトル(シリーズ副出標目) |
Morphomata ;
|
シリーズの巻次 |
v. 39.
|
シリーズ名・巻次 |
Morphomata ; volume 39 |
一般件名 |
Aesthetics -- Congresses.
Ästhetik |
資料情報1 |
『The art of Hegel's aesthetics :
Hegelian philosophy and the perspectives of art history /』(Morphomata ;
volume 39) edited by Paul A. Kottman and Michael Squire. Wilhelm Fink, c2018.
(所蔵館:中央
請求記号:F/701.1/H46/A
資料コード:7110986872)
|
URL |
https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352033215 |