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[ 洋図書 ] Framing a lost city : science, photography, and the making of Machu Picchu / ( Joe R. and Teresa Lozano Long series in Latin American and Latino art and culture )

Amy Cox Hall. -- University of Texas Press, -- 2017. -- First edition.

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ISBN 1477313672 (hardcover ; alkaline paper)
ISBN13桁 9781477313671 (hardcover ; alkaline paper)
無効なISBN等 9781477313695 (library electronic book)
テキストの言語 英語                  
分類：NDC10版 268.04
個人著者標目 Hall, Amy Cox.
本タイトル Framing a lost city :
タイトル関連情報 science, photography, and the making of Machu Picchu /
著者名 Amy Cox Hall.
その他のタイトル Science, photography, and the making of Machu Picchu
版表示 First edition.
出版地・頒布地 Austin :
出版者・頒布者名 University of Texas Press,
出版年・頒布年 2017.
数量 xiv, 267 pages :
他の形態的事項 illustrations ;
大きさ 24 cm.
書誌注記 Includes bibliographical references (pages [241]-260) and index.
内容注記 Introduction: Seeing science -- Sight. Epistolary science ; Huaquero vision -- Circulation. Latin America as laboratory ; Discovery aesthetics ; Picturing the miserable Indian for science -- Contests. The politics of seeing -- Conclusion: Artifact.
要約、抄録、注釈等 "When Hiram Bingham, a historian from Yale University, first saw Machu Picchu in 1911, it was a ruin obscured by overgrowth whose terraces were farmed a by few families. A century later, Machu Picchu is a UNESCO world heritage site visited by more than a million tourists annually. This remarkable transformation began with the photographs that accompanied Bingham's article, published in National Geographic magazine, which depicted Machu Picchu as a lost city discovered. Focusing on the practices, technologies, and materializations of Bingham's three expeditions to Peru (1911, 1912, 1914-1915), this book makes a convincing case that visualization, particularly through the camera, played a decisive role in positioning Machu Picchu as both a scientific discovery and a Peruvian heritage site. Amy Cox Hall argues that while Bingham's expeditions relied on the labor, knowledge, and support of Peruvian elites, intellectuals, and peasants, the practice of scientific witnessing, and photography specifically, converted Machu Picchu into a cultural artifact fashioned from a distinct way of seeing. Drawing on science and technology studies, she situates letter writing, artifact collecting, and photography as important expeditionary practices that helped shape the way we understand Machu Picchu today. Cox Hall also demonstrates that the photographic evidence was unstable, and, as images circulated worldwide, the 'lost city' took on different meanings, especially in Peru, which came to view the site as one of national patrimony in need of protection from expeditions such as Bingham's"--Back cover.
個人件名 Bingham, Hiram,
生没年等 1875-1956.
統一タイトル(シリーズ副出標目) Joe R. and Teresa Lozano Long series in Latin American and Latino art and culture.
シリーズ名・巻次 Joe R. and Teresa Lozano Long series in Latin American and Latino art and culture 
会議名 Peruvian Expeditions (1912-1915)
Yale Peruvian Expedition (1911)
一般件名 Photography -- Moral and ethical aspects -- Machu Picchu Site.
Anthropological ethics.
地名件名 Machu Picchu Site (Peru)
Peru -- Antiquities.
資料情報1 『Framing a lost city : science, photography, and the making of Machu Picchu /』（Joe R. and Teresa Lozano Long series in Latin American and Latino art and culture）First edition.　Amy Cox Hall.　University of Texas Press,　2017. （所蔵館：中央　 請求記号：F/268.0/H18/F　 資料コード：7111132676）
URL https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352035036

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