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[ 洋図書 ] Adolph Menzel : the quest for reality /

Werner Busch ; translated by Carola Kleinstück-Schulman. -- The Getty Research Institute, -- [2017], --

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中央	3階B美術大型	一般洋図書	DF/723.3/M55/A	7111357738		配架図 Digital BookShelf
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資料詳細

ISBN	1606065173 (hardcover)
ISBN13桁	9781606065174 (hardcover)
テキストの言語	英語
原文の言語	ドイツ語
分類：NDC10版	723.34
個人著者標目	Busch, Werner.
統一タイトル	Adolph Menzel.
本タイトル	Adolph Menzel :
タイトル関連情報	the quest for reality /
著者名	Werner Busch ; translated by Carola Kleinstück-Schulman.
出版地・頒布地	Los Angeles :
出版者・頒布者名	The Getty Research Institute,
出版年・頒布年	[2017],
数量	283 pages :
他の形態的事項	illustrations (some color) ;
大きさ	29 cm.
一般注記	Translation of: Adolph Menzel.
書誌注記	Includes bibliographical references (pages 269-275) and index.
内容注記	When anecdotes become truth"-instead of an introduction -- Extreme approaches to the appropriation of reality: Menzel's beginnings as a graphic artist -- Des Künstlers Erdenwallen (the artist's earthly pilgrimage) -- Arabesque commercial prints -- Journeyman bricklayer's certificate -- The art of the celebratory address -- The possibilities of the black-and-white medium: Menzel's illustrations for Franz Kugler's Geschichte Friedrichs des grossen -- Menzel's image of Frederick II: a typological affinity -- Frederick's battles and the horror of war -- Nocturnal apparitions -- The conquest of chromatic painting: Menzel's oil sketches -- The oil sketch as a genre -- The handling of unattractive sights and views -- The private nature of the oil sketches -- Menzel and Constable -- Menzel and the Barbizon School -- From oil sketch to history painting -- Menzel as a history painter: the Frederick paintings -- Genre or history painting? -- Motivic borrowings from popular art -- Menzel's Hochkirch picture: the extreme case of a new kind of history painting -- Commissions for additional Frederick paintings -- The failure of the Leuthen painting and the unloved commission for the Coronation picture -- The farewell to history painting: Königgrätz and Paris -- Fantasies from the armory -- Menzel's experience of war -- In Paris: Théâtre du gymnase -- The remodeling of the metropolis and the typology of its inhabitants -- Pictures of Sundays and the everyday -- Menzel's reaction to Parisian plein air painting -- After Paris: the later crowd scenes -- Painted reflections on art theory -- The iron rolling mill: apotheosis of labor or social critique? -- Menzel and court society -- Piazza d'Erbe: importunate chaos and enforced order -- Drawing as physical experience of the self.
要約、抄録、注釈等	"When anecdotes become truth"-instead of an introduction -- Extreme approaches to the appropriation of reality: Menzel's beginnings as a graphic artist -- Des Künstlers Erdenwallen (the artist's earthly pilgrimage) -- Arabesque commercial prints -- Journeyman bricklayer's certificate -- The art of the celebratory address -- The possibilities of the black-and-white medium: Menzel's illustrations for Franz Kugler's Geschichte Friedrichs des grossen -- Menzel's image of Frederick II: a typological affinity -- Frederick's battles and the horror of war -- Nocturnal apparitions -- The conquest of chromatic painting: Menzel's oil sketches -- The oil sketch as a genre -- The handling of unattractive sights and views -- The private nature of the oil sketches -- Menzel and Constable -- Menzel and the Barbizon School -- From oil sketch to history painting -- Menzel as a history painter: the Frederick paintings -- Genre or history painting? -- Motivic borrowings from popular art -- Menzel's Hochkirch picture: the extreme case of a new kind of history painting -- Commissions for additional Frederick paintings -- The failure of the Leuthen painting and the unloved commission for the Coronation picture -- The farewell to history painting: Königgrätz and Paris -- Fantasies from the armory -- Menzel's experience of war -- In Paris: Théâtre du gymnase -- The remodeling of the metropolis and the typology of its inhabitants -- Pictures of Sundays and the everyday -- Menzel's reaction to Parisian plein air painting -- After Paris: the later crowd scenes -- Painted reflections on art theory -- The iron rolling mill: apotheosis of labor or social critique? -- Menzel and court society -- Piazza d'Erbe: importunate chaos and enforced order -- Drawing as physical experience of the self.
言語注記	Translated from the German.
個人件名	Menzel, Adolph,
生没年等	1815-1905
一般件名細目	Criticism and interpretation.
著者標目	Kleinstück-Schulman, Carola.
団体名(副出標目)	Getty Research Institute.
個人件名(カナ)	メンツェル, アドルフ V.
一般件名	Realism in art. Art, German -- 19th century.
資料情報1	『Adolph Menzel : the quest for reality /』　Werner Busch ; translated by Carola Kleinstück-Schulman.　The Getty Research Institute,　[2017], （所蔵館：中央　請求記号：DF/723.3/M55/A　資料コード：7111357738）
URL	https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352035609

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