| ISBN |
1606065173 (hardcover)
|
| ISBN13桁 |
9781606065174 (hardcover)
|
| テキストの言語 |
英語
|
| 原文の言語 |
ドイツ語
|
| 分類：NDC10版 |
723.34
|
| 個人著者標目 |
Busch, Werner.
|
| 統一タイトル |
Adolph Menzel.
|
| 本タイトル |
Adolph Menzel :
|
| タイトル関連情報 |
the quest for reality /
|
| 著者名 |
Werner Busch ; translated by Carola Kleinstück-Schulman.
|
| 出版地・頒布地 |
Los Angeles :
|
| 出版者・頒布者名 |
The Getty Research Institute,
|
| 出版年・頒布年 |
[2017],
|
| 数量 |
283 pages :
|
| 他の形態的事項 |
illustrations (some color) ;
|
| 大きさ |
29 cm.
|
| 一般注記 |
Translation of: Adolph Menzel.
|
| 書誌注記 |
Includes bibliographical references (pages 269-275) and index.
|
| 内容注記 |
When anecdotes become truth"-instead of an introduction -- Extreme approaches to the appropriation of reality: Menzel's beginnings as a graphic artist -- Des Künstlers Erdenwallen (the artist's earthly pilgrimage) -- Arabesque commercial prints -- Journeyman bricklayer's certificate -- The art of the celebratory address -- The possibilities of the black-and-white medium: Menzel's illustrations for Franz Kugler's Geschichte Friedrichs des grossen -- Menzel's image of Frederick II: a typological affinity -- Frederick's battles and the horror of war -- Nocturnal apparitions -- The conquest of chromatic painting: Menzel's oil sketches -- The oil sketch as a genre -- The handling of unattractive sights and views -- The private nature of the oil sketches -- Menzel and Constable -- Menzel and the Barbizon School -- From oil sketch to history painting -- Menzel as a history painter: the Frederick paintings -- Genre or history painting? -- Motivic borrowings from popular art -- Menzel's Hochkirch picture: the extreme case of a new kind of history painting -- Commissions for additional Frederick paintings -- The failure of the Leuthen painting and the unloved commission for the Coronation picture -- The farewell to history painting: Königgrätz and Paris -- Fantasies from the armory -- Menzel's experience of war -- In Paris: Théâtre du gymnase -- The remodeling of the metropolis and the typology of its inhabitants -- Pictures of Sundays and the everyday -- Menzel's reaction to Parisian plein air painting -- After Paris: the later crowd scenes -- Painted reflections on art theory -- The iron rolling mill: apotheosis of labor or social critique? -- Menzel and court society -- Piazza d'Erbe: importunate chaos and enforced order -- Drawing as physical experience of the self.
|
| 要約、抄録、注釈等 |
"When anecdotes become truth"-instead of an introduction -- Extreme approaches to the appropriation of reality: Menzel's beginnings as a graphic artist -- Des Künstlers Erdenwallen (the artist's earthly pilgrimage) -- Arabesque commercial prints -- Journeyman bricklayer's certificate -- The art of the celebratory address -- The possibilities of the black-and-white medium: Menzel's illustrations for Franz Kugler's Geschichte Friedrichs des grossen -- Menzel's image of Frederick II: a typological affinity -- Frederick's battles and the horror of war -- Nocturnal apparitions -- The conquest of chromatic painting: Menzel's oil sketches -- The oil sketch as a genre -- The handling of unattractive sights and views -- The private nature of the oil sketches -- Menzel and Constable -- Menzel and the Barbizon School -- From oil sketch to history painting -- Menzel as a history painter: the Frederick paintings -- Genre or history painting? -- Motivic borrowings from popular art -- Menzel's Hochkirch picture: the extreme case of a new kind of history painting -- Commissions for additional Frederick paintings -- The failure of the Leuthen painting and the unloved commission for the Coronation picture -- The farewell to history painting: Königgrätz and Paris -- Fantasies from the armory -- Menzel's experience of war -- In Paris: Théâtre du gymnase -- The remodeling of the metropolis and the typology of its inhabitants -- Pictures of Sundays and the everyday -- Menzel's reaction to Parisian plein air painting -- After Paris: the later crowd scenes -- Painted reflections on art theory -- The iron rolling mill: apotheosis of labor or social critique? -- Menzel and court society -- Piazza d'Erbe: importunate chaos and enforced order -- Drawing as physical experience of the self.
|
| 言語注記 |
Translated from the German.
|
| 個人件名 |
Menzel, Adolph,
|
| 生没年等 |
1815-1905
|
| 一般件名細目 |
Criticism and interpretation.
|
| 著者標目 |
Kleinstück-Schulman, Carola.
|
| 団体名(副出標目) |
Getty Research Institute.
|
| 個人件名(カナ) |
メンツェル, アドルフ V.
|
| 一般件名 |
Realism in art.
Art, German -- 19th century. |
| 文献識別 |
個人画集
|
| 資料情報1 |
『Adolph Menzel :
the quest for reality /』 Werner Busch ; translated by Carola Kleinstück-Schulman. The Getty Research Institute, [2017],
（所蔵館：中央
請求記号：DF/723.3/M55/A
資料コード：7111357738）
|
| URL |
https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352035609 |
