資料詳細

  • 1 件中、 1 件目

[ 洋図書 ] Photography after photography : gender, genre, history /

Abigail Solomon-Godeau ; edited by Sarah Parsons. -- Duke University Press, -- 2017, --

所蔵

所蔵は 1 件です。

所蔵館 所蔵場所 資料区分 請求記号 資料コード 所蔵状態 資料の利用
配架日 協力貸出 利用状況 返却予定日 資料取扱 予約数 付録注記 備考
中央 3階B 一般洋図書 F/740.1/S68/P 7111569776 配架図 Digital BookShelf
2019/07/16 可能 利用可   0

Eメールによる郵送複写申込みは、「東京都在住」の登録利用者の方が対象です。

    • 統合検索
      都内図書館の所蔵を
      横断検索します。       類似資料 AI Shelf
      この資料に類似した資料を
      AIが紹介します。

ページの先頭へ

資料詳細 閉じる

ISBN 0822362511 (hardcover ; alk. paper)
ISBN13桁 9780822362517 (hardcover ; alk. paper)
無効なISBN等 9780822373629 (ebook)
テキストの言語 英語                  
分類：NDC10版 740.1
個人著者標目 Solomon-Godeau, Abigail.
本タイトル Photography after photography :
タイトル関連情報 gender, genre, history /
著者名 Abigail Solomon-Godeau ; edited by Sarah Parsons.
出版地・頒布地 Durham :
出版者・頒布者名 Duke University Press,
出版年・頒布年 2017,
数量 xxv, 255 pages :
他の形態的事項 illustrations ;
大きさ 24 cm.
書誌注記 Includes bibliographical references (pages [237]-248) and index.
内容注記 Inside/out (1995) -- Written on the body (1997) -- The family of man : refurbishing humanism for a postmodern age (2004) -- Torture at Abu Ghraib : in and out of the media (2007) -- Harry Callahan : gender, genre, and street photography (2007) -- Caught looking : Susan Meiselas's Carnival strippers (2008) -- Framing landscape photography (2010) -- The ghosts of documentary (2012) -- Inventing Vivian Maier : categories, careers, and commerce (2013) -- Robert Mapplethorpe : whitewashed and polished (2014) -- Body double (2014) -- The coming of age : Cindy Sherman, feminism, and art history (2014).
要約、抄録、注釈等 Presenting two decades of work by Abigail Solomon-Godeau, Photography after Photography is an inquiry into the circuits of power that shape photographic practice, criticism, and historiography. As the boundaries that separate photography from other forms of artistic production are increasingly fluid, Solomon-Godeau, a pioneering feminist and politically engaged critic, argues that the relationships between photography, culture, gender, and power demand renewed attention. In her analyses of the photographic production of Cindy Sherman, Robert Mapplethorpe, Susan Meiselas, Francesca Woodman, and others, Solomon-Godeau refigures the disciplinary object of photography by considering these practices through an examination of the determinations of genre and gender as these shape the relations between photographers, their images, and their viewers. Among her subjects are the 2006 Abu Ghraib prison photographs and the Cold War-era exhibition The Family of Man, insofar as these illustrate photography's embeddedness in social relations, viewing relations, and ideological formations.
著者標目 Parsons, Sarah (Sarah Caitlin), 1971-
一般件名 Photography, Artistic.
Photography -- Philosophy.
資料情報1 『Photography after photography : gender, genre, history /』　Abigail Solomon-Godeau ; edited by Sarah Parsons.　Duke University Press,　2017, （所蔵館：中央　 請求記号：F/740.1/S68/P　 資料コード：7111569776）
URL https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352035981

ページの先頭へ