| ISBN |
0691170126 (hardcover ; alkaline paper)
|
| ISBN13桁 |
9780691170121 (hardcover ; alkaline paper)
|
| テキストの言語 |
英語
|
| 分類：NDC10版 |
723.35
|
| 個人著者標目 |
Lajer-Burcharth, Ewa.
|
| 本タイトル |
The painter's touch :
|
| タイトル関連情報 |
Boucher, Chardin, Fragonard /
|
| 著者名 |
Ewa Lajer-Burcharth.
|
| 出版地・頒布地 |
Princeton :
|
| 出版者・頒布者名 |
Princeton University Press,
|
| 出版年・頒布年 |
[2018],
|
| 数量 |
xiv, 298 pages :
|
| 他の形態的事項 |
illustrations (some color) ;
|
| 大きさ |
30 cm.
|
| 書誌注記 |
Includes bibliographical references (pages 271-286) and index.
|
| 要約、抄録、注釈等 |
"What can be gained from considering a painting not only as an image but also a material object? How does the painter's own experience of the process of making matter for our understanding of both the painting and its maker? The Painter's Touch addresses these questions to offer a radical reinterpretation of three paradigmatic French painters of the eighteenth century. In this beautifully illustrated book, Ewa Lajer-Burcharth provides close readings of the works of François Boucher, Jean-Siméon Chardin, and Jean-Honoré Fragonard, entirely recasting our understanding of these painters' practice. Using the notion of touch, she examines the implications of their strategic investment in materiality and sheds light on the distinct contribution of painting to the culture of the Enlightenment. Lajer-Burcharth traces how the distinct logic of these painters' work--the operation of surface in Boucher, the deep materiality of Chardin, and the dynamic morphological structure in Fragonard--contributed to the formation of artistic identity. Through the notion of touch, she repositions these painters in the artistic culture of their time, shifting attention from institutions such as the academy and the Salon to the realms of the market, the medium, and the body. Lajer-Burcharth analyzes Boucher's commercial tact, Chardin's interiorized craft, and Fragonard's materialization of eros. Foregrounding the question of experience--that of the painters and of the people they represent--she shows how painting as a medium contributed to the Enlightenment's discourse on the self in both its individual and social functions. By examining what paintings actually "say" in brushstrokes, texture, and paint, The Painter's Touch transforms our understanding of the role of painting in the emergence of modernity and provides new readings of some of the most important and beloved works of art of the era."--Publisher's description.
|
| 個人件名 |
Boucher, François,
|
| 生没年等 |
1703-1770
|
| 一般件名細目 |
Criticism and interpretation.
|
| 一般件名 |
Painting, French -- 18th century.
Painting, French. |
| 地名件名 |
Frankreich
|
| 資料情報1 |
『The painter's touch :
Boucher, Chardin, Fragonard /』 Ewa Lajer-Burcharth. Princeton University Press, [2018],
（所蔵館：中央
請求記号：DF/723.3/L19/P
資料コード：7111570098）
|
| URL |
https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352036035 |
