| ISBN |
0262037629 (hardcover ; alkaline paper)
|
| ISBN13桁 |
9780262037624 (hardcover ; alkaline paper)
|
| テキストの言語 |
英語
|
| 分類：NDC10版 |
488.1
|
| 個人著者標目 |
Bruyninckx, Joeri.
|
| 本タイトル |
Listening in the field :
|
| タイトル関連情報 |
recording and the science of birdsong /
|
| 著者名 |
Joeri Bruyninckx.
|
| 出版地・頒布地 |
Cambridge, Massachusetts :
|
| 出版者・頒布者名 |
The MIT Press,
|
| 出版年・頒布年 |
[2018],
|
| 数量 |
ix, 237 pages, 4 unnumbered pages of plates :
|
| 他の形態的事項 |
illustrations (some color) ;
|
| 大きさ |
24 cm.
|
| 書誌注記 |
Includes bibliographical references (pages [173]-225) and index.
|
| 内容注記 |
Eavesdropping in the wild -- Scientific scores and musical ears : sound diagrams in field recording -- Staging sterile sound : producing and reproducing natural field recordings -- Sampling assets : economies of scientific exchange at the Cornell Library of Natural Sounds -- Patterned sound : inscriptions and the trained ear in birdsong analysis -- Conclusion.
|
| 要約、抄録、注釈等 |
"The transformation of sound recording into a scientific technique in the study of birdsong, as biologists turned wildlife sounds into scientific objects. Scientific observation and representation tend to be seen as exclusively visual affairs. But scientists have often drawn on sensory experiences other than the visual. Since the end of the nineteenth century, biologists have used a variety of techniques to register wildlife sounds. In this book, Joeri Bruyninckx describes the evolution of sound recording into a scientific technique for studying the songs and calls of wild birds and asks, what it means to listen to animal voices as a scientist. The practice of recording birdsong took shape at the intersection of popular entertainment and field ornithology, turning recordings into objects of investigation and popular fascination. Shaped by the technologies and interests of amateur naturalism and music teaching, radio broadcasting and gramophone production, hobby electronics and communication engineering, birdsong recordings traveled back and forth between scientific and popular domains, to appear on gramophone recordings, radio broadcasts, and movie soundtracks. Bruyninckx follows four technologies--the musical score, the electric microphone, the portable magnetic tape recorder, and the sound spectrograph--through a cultural history of field recording and scientific listening. He chronicles a period when verbal descriptions, musical notations, and onomatopoeic syllables represented birdsong and shaped a community of listeners; later electric recordings struggled with notions of fidelity, realism, objectivity, and authenticity; scientists, early citizen scientists, and the recording industry negotiated recording exchange; and trained listeners complemented the visual authority of spectrographic laboratory analyses. This book reveals a scientific process fraught with conversions, between field and laboratory, sound and image, science and its various audiences" -- From the publisher.
|
| 統一タイトル(シリーズ副出標目) |
Inside technology.
|
| シリーズ名・巻次 |
Inside technology |
| 一般件名 |
Birdsongs -- Recording and reproducing.
Birds -- Vocalization. |
| 資料情報1 |
『Listening in the field :
recording and the science of birdsong /』（Inside technology） Joeri Bruyninckx. The MIT Press, [2018],
（所蔵館：中央
請求記号：F/488.1/B91/L
資料コード：7111735812）
|
| URL |
https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352037422 |
