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[ 洋図書 ] Fantasies of improvisation : free playing in nineteenth-century music /

Dana Gooley. -- Oxford University Press, -- [2018], --

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ISBN 0190633581 (hardcover ; alkaline paper)
ISBN13桁 9780190633585 (hardcover ; alkaline paper)
無効なISBN等 9780190633592 (updf)
テキストの言語 英語                  
分類：NDC10版 762.06
個人著者標目 Gooley, Dana A.
姓名の完全形 (Dana Andrew),
生没年等 1969-
本タイトル Fantasies of improvisation :
タイトル関連情報 free playing in nineteenth-century music /
著者名 Dana Gooley.
出版地・頒布地 New York, NY :
出版者・頒布者名 Oxford University Press,
出版年・頒布年 [2018],
数量 xvii, 292 pages :
他の形態的事項 music ;
大きさ 25 cm.
書誌注記 Includes bibliographical references and index.
内容注記 Prelude : The virtue of improvisation -- The school of Abbé Vogler : Weber and Meyerbeer -- The Kapellmeister network and the performance of community : Hummel, Moscheles, and Mendelssohn -- Carl Loewe's performative Romanticism -- Schumann and the economization of musical labor -- Liszt and the Romantic rhetoric of improvisation -- Improvisatoriness : The regime of the improvisation imaginary -- Postlude : Improvisation and Utopia.
要約、抄録、注釈等 The first history of keyboard improvisation in European music in the postclassical and romantic periods, Fantasies of Improvisation: Free Playing in Nineteenth-Century Music documents practices of improvisation on the piano and the organ, with a particular emphasis on free fantasies and other forms of free playing. Case studies of performers such as Abbé Vogler, J. N. Hummel, Ignaz Moscheles, Robert Schumann, Carl Loewe, and Franz Liszt describe in detail the motives, intentions, and musical styles of the nineteenth century's leading improvisers. Grounded in primary sources, the book further discusses the reception and valuation of improvisational performances by colleagues, audiences, and critics, which prompted many keyboardists to stop improvising. Author Dana Gooley argues that amidst the decline of improvisational practices in the first half of the nineteenth century there emerged a strong and influential "idea" of improvisation as an ideal or perfect performance. This idea, spawned and nourished by romanticism, preserved the aesthetic, social, and ethical values associated with improvisation, calling into question the supposed triumph of the "work." [Publisher description]
一般件名 Improvisation (Music) -- History -- 19th century.
Improvisation (Music)
資料情報1 『Fantasies of improvisation : free playing in nineteenth-century music /』　Dana Gooley.　Oxford University Press,　[2018], （所蔵館：中央　 請求記号：F/762.0/G65/F　 資料コード：7111749424）
URL https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352037594

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