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[ 洋図書 ] Analytical essays on music by women composers : secular & sacred music to 1900 / ( Analytical essays on music by women composers ; Volume 1 )

edited by Laurel Parsons and Brenda Ravenscroft. -- Oxford University Press, -- [2018], --

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ISBN 0190237023 (hardcover)
ISBN13桁 9780190237028 (hardcover)
テキストの言語 英語                  
分類：NDC10版 762.8
本タイトル Analytical essays on music by women composers :
タイトル関連情報 secular & sacred music to 1900 /
著者名 edited by Laurel Parsons and Brenda Ravenscroft.
その他のタイトル Secular & sacred music to 1900
出版地・頒布地 New York, NY :
出版者・頒布者名 Oxford University Press,
出版年・頒布年 [2018],
数量 xi, 273 pages :
他の形態的事項 illustrations, music ;
大きさ 25 cm.
書誌注記 Includes bibliographical references (pages 249-260) and index.
内容注記 Introduction. "Half of Humanity Has Something to Say, Also" / Laurel Parsons and Brenda Ravenscroft -- Early music for voice. Hildegard of Bingen, O Ierusalem aurea civitas (ca. 1150-1170): Varied repetition in Hildegard's sequence for St. Rupert : O Ierusalem aurea civitas / Jennifer Bain ; Maddalena Casulana, "Per lei pos' in oblio" from Cinta di fior (1570): Finding the "air" in Maddalena Casulana's madrigals / Peter Schubert ; Barbara Strozzi, Appresso ai molli argenti (1659): Consolation amid barbarous misfortune : Barbara Strozzi's Appresso ai molli argenti and the mid-seventeenth-century lament / Richard Kolb and Barbara Swanson -- Seventeenth- and eighteenth-century keyboard music. Élisabeth-Claude Jacquet de La Guerre, Sarabandes from the Suites in A minor (1687) and D minor (1707): In the realm of all the senses : two sarabandes by Élisabeth-Claude Jacquet de La Guerre / Susan McClary ; Marianna Martines, Sonata in A Major, I (1765): "Zierlichkeit und Genie" : grace and genius in Marianna Martines's Sonata in A major / L. Poundie Burstein -- Nineteenth-century Lieder and piano music. Fanny Hensel, "Von dir, mein Lieb, ich scheiden muss" (1841) and "Ich kann wohl manchmal singen" (1846): Fanny Hensel's schematic fantasies, or, The art of beginning / Stephen Rodgers ; Josephine Lang, "An einer Quelle" (1840/1853) and "Am Morgen" (1840): Josephine Lang's multiple settings of poems by Christian Reinhold Köstlin / Harald Krebs ; Clara Schumann, "Liebst du um Schönheit" (1841): Multiply interrupted structure in Clara Schumann's "Liebst du um Schönheit" / Michael Baker ; Amy Beach, "Phantoms," op. 15, no. 2 (1892). Gapped lines and ghostly flowers in Amy Beach's "Phantoms," op. 15, no. 2 / Edward D. Latham.
要約、抄録、注釈等 This collection of in-depth analytical essays celebrates music by female composers from the twelfth to nineteenth centuries. The essays, written by leading music theorists and musicologists, examine select compositions in detail, collectively establishing a foundation for new scholarly research into outstanding compositions created by women.
著者標目 Parsons, Laurel.
Ravenscroft, Brenda, 1961-
シリーズ名・巻次 Analytical essays on music by women composers ; Volume 1
一般件名 Music by women composers -- Analysis, appreciation.
Music -- Analysis, appreciation.
資料情報1 『Analytical essays on music by women composers : secular & sacred music to 1900 /』（Analytical essays on music by women composers ; Volume 1）　edited by Laurel Parsons and Brenda Ravenscroft.　Oxford University Press,　[2018], （所蔵館：中央　 請求記号：F/762.8/A53/A1-1　 資料コード：7112368745）
URL https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352041251

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