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[ 洋図書 ] Create, produce, consume : new models for understanding music business /

David Bruenger. -- University of California Press, -- [2019], --

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ISBN 0520303504 (hardcover ; alkaline paper)
ISBN13桁 9780520303508 (hardcover ; alkaline paper)
無効なISBN等 9780520972735 (electronic book)
テキストの言語 英語                  
分類：NDC10版 760.9
個人著者標目 Bruenger, David,
生没年等 1953-
本タイトル Create, produce, consume :
タイトル関連情報 new models for understanding music business /
著者名 David Bruenger.
出版地・頒布地 Oakland, California :
出版者・頒布者名 University of California Press,
出版年・頒布年 [2019],
数量 414 pages :
他の形態的事項 illustrations, charts ;
大きさ 24 cm.
書誌注記 Includes bibliographical references (pages 389-409) and index.
内容注記 Inception : creation, production, reception -- Production : art, science, enterprise -- Reception : listeners, fans, consumers -- Commodification : product, process, culture -- Monetization : publishing, performing, recording -- Location : scenes, venues, labels -- Diffusion : here, there, everywhere -- Disruption : pattern, deviation, adaptation -- Connection : artists, audiences, networks -- Incorporation : production, monetization, affiliation -- Aggregation : consumption, production, prediction -- Simulation : creation, production, consumption.
要約、抄録、注釈等 "Music usually begins as an idea or a feeling. Understanding how or why is a mystery beyond the scope of this text. Instead, we will take musical creation as a given and focus on what comes after: shared musical experience, what makes it happen, and the forms of value it can generate. Musical experience depends upon someone making and someone else listening to music. Performance can be technologically mediated so that performer and listener don't need to be in the same space at the same time. Or the performer and listener can be in the same room (or even be the same person). But for music to have wider impact, the minimum "equation" is one performer plus one listener equals a musical experience. How music moves from an idea--creation--to the ears of listeners--reception--is where the production structures of music enterprise come into play. All forms of music production provide access to musical experience, regardless of venue or technological medium. Access to music and musicians is what brings music commerce, community, and culture to life. Consequently, managing access and the complex relationship between artist and audience is the essential mission of every music enterprise, regardless of where or when or in what genre it happens"--Provided by publisher.
一般件名 Music trade.
Popular music -- Social aspects.
資料情報1 『Create, produce, consume : new models for understanding music business /』　David Bruenger.　University of California Press,　[2019], （所蔵館：中央　 請求記号：F/760.9/B88/C　 資料コード：7112593829）
URL https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352042412

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