edited by Matthew Gardner, Alison Clark DeSimone. -- Cambridge University Press, -- 2020. --

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中央 3階B 一般洋図書 F/762.3/M98/M7 7112979625 配架図 Digital BookShelf
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ISBN 1108492932 (hardcover)
ISBN13桁 9781108492935 (hardcover)
無効なISBN等 9781108631808 (electronic book)
テキストの言語 英語                  
分類:NDC10版 762.33
本タイトル Music and the benefit performance in eighteenth-century Britain /
著者名 edited by Matthew Gardner, Alison Clark DeSimone.
出版地・頒布地 Cambridge, United Kingdom ;
出版者・頒布者名 Cambridge University Press,
出版年・頒布年 2020.
数量 xvi, 286 pages :
他の形態的事項 illustrations, music ;
大きさ 26 cm.
書誌注記 Includes bibliographical references (pages 265-276) and indexes.
内容注記 Risk and rewards : benefits and their financial impact on actors, authors, singers, and other musicians in London, c. 1690-1730 / Kathryn Lowerre -- With several entertainments of singing and dancing : London Theatre benefits, 1700-1725 / Olive Baldwin and Thelma Wilson -- Concertos "upon the stage" in early Hanoverian London : the instrumental counterpart to opera seria / Robert G. Rawson -- Cobblers, country fairs, and cross-dressing : benefits and the development of ballad opera / Vanessa L. Rogers -- Benefit concerts in the North of England : more than just musical entertainment / Roz Southey -- Amateur music-making, theatre performances, and benefit concerts in Edinburgh / Stefanie Acquavella-Rauch -- English music in benefit concerts : Henry Purcell and the next generation / Amanda Eubanks Winkler -- Strategies of performance : benefits, professional singers, and Italian opera in the early eighteenth century / Alison DeSimone -- The Mercer's Hospital charity services : music and charity in eighteenth-century Dublin / Triona O'Hanlon -- English oratorio and charity benefits in mid-eighteeth-century London / Matthew Gardner -- Encountering "the most extraordinary prodigy" : meeting Master Mozart in Georgian London / John Irving -- Benefits : cui bono? / David Hunter.
要約、抄録、注釈等 "Although specific financial details about theatrical benefits early in the period are limited, there is sufficient evidence to sketch a broad outline, which should ground investigation into later expansions and refinements of the practice as it morphed from a theatrical innovation into a broader performance tradition as the decades passed. Benefit ticket prices varied over time and depended on the type of performance. Dramatic opera and Italian operas typically had the highest ticket prices. Broadly speaking, a guinea a ticket was considered a top price for an evening's entertainment, while the regular charge of 4s for a box seat at a spoken play remained remarkably stable during the first half of the eighteenth century"-- Provided by publisher.
著者標目 Gardner, Matthew, 1981-
DeSimone, Alison Clark.
一般件名 Music -- History and criticism. -- Great Britain -- 18th century
Theater -- History -- Great Britain -- 18th century.
地名件名 Great Britain -- Social life and customs -- 18th century.
Great Britain.
資料情報1 『Music and the benefit performance in eighteenth-century Britain /』 edited by Matthew Gardner, Alison Clark DeSimone. Cambridge University Press, 2020. (所蔵館:中央  請求記号:F/762.3/M98/M7  資料コード:7112979625)
URL https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352042669