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[ 洋図書 ] The Oxford handbook of modern Irish theatre / ( Oxford handbooks )

edited by Nicholas Grene and Chris Morash. -- Oxford University Press, -- [2016], --

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ISBN 0198706138
ISBN13桁 9780198706137
テキストの言語 英語                  
分類：NDC10版 772.339
本タイトル The Oxford handbook of modern Irish theatre /
著者名 edited by Nicholas Grene and Chris Morash.
その他のタイトル Modern Irish theater
出版地・頒布地 Oxford, United Kingdom :
出版者・頒布者名 Oxford University Press,
出版年・頒布年 [2016],
数量 xxix, 764 pages :
他の形態的事項 illustrations ;
大きさ 26 cm.
書誌注記 Includes bibliographical references (pages [695]-718) and index.
内容注記 Introduction / Nicholas Grene and Chris Morash -- pt. 1: Nineteenth-century legacies -- The Inheritance of Melodrama / Stephen Watt -- Oscar Wilde: International Politics and the Drama of Sacrifice / Michael McAteer-- pt. 2: Theatre and nation -- The Abbey and the Idea of a Theatre / Ben Levitas -- Theatre and Activism 1900-1916 / P.J. Mathews -- W.B. Yeats and Rituals of Performance / Terence Brown -- The Riot of Spring: Synge's 'Failed Realism' and the Peasant Drama / Mary Burke -- pt. 3: Models and influences -- 'We Were Very Young and We Shrank From Nothing': Realism and Early Twentieth-Century Irish Drama / Shaun Richards -- Modernism and Irish Theatre 1900-1940 / Richard Cave -- Missing Links: Bernard Shaw, the Discussion Play, and Modern Irish Theatre / Brad Kent -- pt. 4: Revolution and beyond -- Imagining the Rising / Nicholas Allen -- The Abbey Theatre and the Irish State / Lauren Arrington -- O'Casey and the City / Christopher Murray -- pt. 5: Performance 1 -- Design and Direction To 1960 / Paige Reynolds -- The Importance of Staging Oscar: Wilde At the Gate / Eibhear Walshe -- Irish Acting in the Early Twentieth Century / Adrian Frazier -- pt. 6: Contesting voices -- Twisting in the Wind: Irish-Language Stage Theatre 1884-2014 / Brian O Conchubhair -- Women and Irish Theatre Before 1960 / Cathy Leeney -- The Little Theatres of the 1950s / Lionel Pilkington -- pt. 7: The new revival -- Urban and Rural Theatre Cultures: M.J. Molloy, John B. Keane, and Hugh Leonard / Lisa Coen -- Brian Friel and Tom Murphy: Forms of Exile / Anthony Roche -- Thomas Kilroy and the Idea of a Theatre / Jose Lanters -- pt. 8: Diversification -- Brian Friel and Field Day / Marilynn Richtarik -- From Troubles To Post-Conflict Theatre in Northern Ireland / Mark Phelan -- 'As We Must': Growth and Diversification in Ireland's Theatre Culture 1977-2000 / Victor Merriman -- From Druid/Murphy To DruidMurphy / Shelley Troupe -- pt. 9: Performance 2 -- Places of Performance / Chris Morash -- Directors and Designers Since 1960 / Ian R. Walsh -- Defining Performers and Performances / Nicholas Grene -- Beckett At the Gate / Julie Bates -- pt. 10: Contemporary Irish theatre -- Negotiating Differences in the Plays of Frank McGuinness / Helen Heusner Lojek -- Drama Since the 1990s: Memory, Story, Exile / Emilie Pine -- Irish Drama Since the 1990s: Disruptions / Clare Wallace -- Shadow and Substance: Women, Feminism and Irish Theatre After 1980 / Melissa Sihra -- Irish Theatre Devized / Brian Singleton -- pt. 11: Ireland and the world -- Global Beckett / Ronan McDonald -- Irish Theatre and the United States / John P. Harrington -- Irish Theatre in Britain / James Moran -- Irish Theatre in Europe / Ondrej Pilny -- 'Feast and Celebration': The Theatre Festival and Modern Irish Theatre / Patrick Lonergan -- Re-inscribing the Classics, Ancient and Modern: The Sharp Diagonal of Adaptation / Christina Hunt Mahony -- pt. 12: Critical responses -- Irish Theatre and Historiography / Eamonn Jordan.
要約、抄録、注釈等 The Oxford handbook of modern Irish theatre' provides the single most comprehensive survey of the field to be found in a single volume. Drawing on more than forty contributors from around the world, the book addresses a full range of topics relating to modern Irish theatre from the late nineteenth-century theatre to the most recent works of postdramatic devised theatre. Ireland has long had an importance in the world of theatre out of all proportion to the size of the country, and has been home to four Nobel Laureates (Yeats, Shaw, and Beckett; Seamus Heaney, while primarily a poet, also wrote for the stage). This collection begins with the influence of melodrama, looks at arguably the first modern Irish playwright, Oscar Wilde, before moving into a series of considerations of the Abbey Theatre, and Irish modernism. Arranged chronologically, it explores areas such as women in theatre, Irish-language theatre, and alternative theatres, before reaching the major writers of more recent Irish theatre, including Brian Friel and Tom Murphy, and their successors. There are also individual chapters focusing on Beckett and Shaw, as well as a series of chapters looking at design, acting and theatre architecture. The book concludes with an extended survey of the critical literature on the field. In each chapter, the author does not simply rehearse accepted wisdom; all of the authors push the boundaries of their respective fields, so that each chapter is a significant contribution to scholarship in its own right.
著者標目 Grene, Nicholas.
Morash, Chris, 1963-
統一タイトル(シリーズ副出標目) Oxford handbooks.
シリーズ名・巻次 Oxford handbooks 
一般件名 Theater -- History -- Ireland -- 20th century.
Theater -- History -- Ireland -- 21st century.
地名件名 Ireland.
資料情報1 『The Oxford handbook of modern Irish theatre /』（Oxford handbooks）　edited by Nicholas Grene and Chris Morash.　Oxford University Press,　[2016], （所蔵館：中央　 請求記号：F/772.3/O98/O2　 資料コード：7112981113）
URL https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352043123

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