edited by Sarah Hibberd, Miranda Stanyon. -- Cambridge University Press, -- 2020, --

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ISBN 1108486592 (hardback)
ISBN13桁 9781108486590 (hardback)
無効なISBN等 9781108761253 (ebook)
テキストの言語 英語                  
分類:NDC10版 761.1
本タイトル Music and the sonorous sublime in European culture, 1680-1880 /
著者名 edited by Sarah Hibberd, Miranda Stanyon.
出版地・頒布地 Cambridge, United Kingdom ;
出版者・頒布者名 Cambridge University Press,
出版年・頒布年 2020,
数量 xv, 305 pages :
他の形態的事項 illustrations, music ;
大きさ 26 cm.
書誌注記 Includes bibliographical references (pages 273-296) and index.
内容注記 Sonorous sublimes : An introduction / Sarah Hibberd and Miranda Stanyon -- Thunder or celestial harmony : French theological debates on the sonorous sublime / Sophie Hache -- 'A pleasing rape' : John Dennis, music and the queer sublime / Matthew Head -- The idea of the past in eighteenth-century British music / Suzanne Aspden -- C. P. E. Bach and the neoclassical sublime : Revisions of a concept / Keith Chapin -- Cherubini's Médée and sublime vengeance / Sarah Hibberd -- When does the sublime stop? : Cavatinas and quotations in Haydn's Seasons / Elaine Sisman -- Counterfeits, contraltos and harmony in De Quincey's Sublime / Miranda Stanyon -- The consecration of sound : Sublime musical creation in Haydn, Weber and Spohr / Benedict Taylor -- Commanding performances : Opera, surrogation and the royal sublime in 1848 / Dana Gooley -- Wagner's sublime effects : Bells, cannon and the perception of heavy sound / David Trippett.
要約、抄録、注釈等 "The sublime - that elusive encounter with overwhelming height, power or limits - has had a long relationship with music, from the early-modern rise of interest in the Longinian sublime to its saturation of European culture in the later nineteenth century and beyond. Music sits in productive tension with the sublime in many foundational texts. Yet sustained attention to this relationship has been relatively uncommon. Scholars in other fields have called for a moratorium on studies of the sublime, yet there are remarkably few books dedicated to the sublime and music. Drawing together perspectives from musicology, sound studies, literary studies, intellectual history and theology, this collection offers a perspective on music that responds to current understandings of the sublime as a pre-disciplinary category traversing the arts, sciences and humanities"-- Provided by publisher.
著者標目 Hibberd, Sarah.
Stanyon, Miranda, 1984-
一般件名 Music -- Philosophy and aesthetics.
Sublime, The, in music.
地名件名 Europa
資料情報1 『Music and the sonorous sublime in European culture, 1680-1880 /』 edited by Sarah Hibberd, Miranda Stanyon. Cambridge University Press, 2020, (所蔵館:中央  請求記号:F/761.1/M98/M6  資料コード:7113294314)
URL https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352045051