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[ 洋図書 ] To see Paris and die : the Soviet lives of western culture /

Eleonory Gilburd. -- The Belknap Press of Harvard University Press, -- 2018. --

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ISBN 0674980719 (hardcover)
ISBN13桁 9780674980716 (hardcover)
無効なISBN等 9780674989771
テキストの言語 英語                  
分類：NDC10版 238.075
個人著者標目 Gilburd, Eleonory.
本タイトル To see Paris and die :
タイトル関連情報 the Soviet lives of western culture /
著者名 Eleonory Gilburd.
出版地・頒布地 Cambridge, Massachusetts :
出版者・頒布者名 The Belknap Press of Harvard University Press,
出版年・頒布年 2018.
数量 ix, 458 pages :
他の形態的事項 illustrations ;
大きさ 25 cm
書誌注記 Includes bibliographical references (pages 349-444) and index.
内容注記 Soviet internationalism -- The Tower of Babel -- Books about us -- Cinema without an accent -- Barbarians in the temple of art -- Books and borders -- Epilogue: Exit: How Soviets became westerners.
要約、抄録、注釈等 The Soviet Union was a notoriously closed society until Stalin's death in 1953. Then, in the mid-1950s, a torrent of Western novels, films, and paintings invaded Soviet streets and homes, acquiring heightened emotional significance. To See Paris and Die is a history of this momentous opening to the West. At the heart of this story is a process of translation, in which Western figures took on Soviet roles: Pablo Picasso as a political rabble-rouser; Rockwell Kent as a quintessential American painter; Erich Maria Remarque and Ernest Hemingway as teachers of love and courage under fire; J. D. Salinger and Giuseppe De Santis as saviors from Soviet clichés. Imported novels challenged fundamental tenets of Soviet ethics, while modernist paintings tested deep-seated notions of culture. Western films were eroticized even before viewers took their seats. The drama of cultural exchange and translation encompassed discovery as well as loss. Eleonory Gilburd explores the pleasure, longing, humiliation, and anger that Soviet citizens felt as they found themselves in the midst of this cross-cultural encounter. The main protagonists of To See Paris and Die are small-town teachers daydreaming of faraway places, college students vicariously discovering a wider world, and factory engineers striving for self-improvement. They invested Western imports with political and personal significance, transforming foreign texts into intimate possessions. With the end of the Soviet Union, the Soviet West disappeared from the cultural map. Gilburd's history reveals how domesticated Western imports defined the last three decades of the Soviet Union, as well as its death and afterlife.-- Provided by publisher.
一般件名 Public opinion -- Soviet Union.
Soviets (People) -- Attitudes.
地名件名 Soviet Union -- Western influences.
Soviet Union -- History -- 1953-1985.
資料情報1 『To see Paris and die : the Soviet lives of western culture /』　Eleonory Gilburd.　The Belknap Press of Harvard University Press,　2018. （所蔵館：中央　 請求記号：F/238.0/G46/T　 資料コード：7113294379）
URL https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352045057

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