edited by Stephen C. Meyer and Kirsten Yri. -- Oxford University Press, -- [2020], --

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ISBN 0190658444 (hardcover)
ISBN13桁 9780190658441 (hardcover)
無効なISBN等 9780190658472 (ebook)
テキストの言語 英語                  
分類:NDC10版 762.3
本タイトル The Oxford handbook of music and medievalism /
著者名 edited by Stephen C. Meyer and Kirsten Yri.
その他のタイトル Music and medievalism
出版地・頒布地 New York, NY :
出版者・頒布者名 Oxford University Press,
出版年・頒布年 [2020],
数量 xvii, 825 pages :
他の形態的事項 illustrations, music ;
大きさ 26 cm.
一般注記 Series from book jacket.
書誌注記 Includes bibliographical references (pages [767]-784) and index.
内容注記 Section 1, Romanticizing the medieval : the longing for the Middle Ages in the nineteenth century. Medievalisms in Early Nineteenth-Century German Thought / Laura K. T. Stokes. From Knight Errant to Family Man : Romantic Medievalism and Domesticity in Brahms's Romanzen aus L. Tieck's Magelone, op. 33 (1865-1869) / Marie Sumner Lott. Liszt's Medievalist Modernism / Balázs Mikusi. Soldiers and Censors : Verdi's Medieval Imagination / Liana Püschel. The Distant Past as Mirror and Metaphor : Portraying Medievalism in Historical French Grand Operas / Diana R. Hallman. Medievalism and Regionalist Identity in Lalo's Le Roi d'Ys / Elinor Olin. Romantic Medievalist Nationalism in Schumann's Genoveva, Then and Now / Michael S. Richardson. Richard Wagner's Medieval Visions / Barbara Eichner -- Section 2, Performing the Middle Ages. "What England Has Done for a Thousand Years" : Medievalism in Christmas Lessons and Carols Services / Jacob Sagrans. Medieval Folk in the Revivals of David Munrow / Edward Breen. Re-sounding Carl Dreyer's La Passion de Jeanne d'Arc / Donald Greig -- Section 3, Medievalism and Compositional Practice in the Twentieth Century. Medievalism and Antiromanticism in Carl Orff's Carmina Burana / Kirsten Yri. Past Tense : Creative Medievalism in the Music of Margaret Lucy Wilkins / Lisa Colton. Hucbald's Fifths and Vaughan Williams's Mass : The New Medieval in Britain Between the Wars / Deborah Heckert. The Return of Ars subtilior? : Rhythmic Complexity in the Chantilly Codex and in Selected Twentieth-Century Works / Aleksandra Vojčić. Miserere : Arvo Pärt and the Medieval Present / Laura Dolp. The Postmodern Troubadour / Anne Stone -- Section 4, Reimagining the Medieval Woman. Tolling Bells and Otherworldly Voices : Joan of Arc's Sonic World in the Early Twentieth Century / Elizabeth Dister. Medievalism and Rued Langgaard's Romantic Image of Queen Dagmar / Nils Holger Petersen. Nature, reason and Light in Vision--Aus dem Leben der Hildegard von Bingen / Jennifer Bain. Disciplining Guinevere : Courtly Love and the Arthurian Tradition from Henry Purcell to Donovan Leitch / Gillian L. Gower -- Section 5, Echoes of the Middle Ages in Folk, Rock, and Metal. Early Music and Popular Music : Medievalism, Nostalgia, and the Beatles / Elizabeth Randell Upton. "Ramble On" : Medievalism as a Nostalgic Practice in Led Zeppelin's Use of J.R.R. Tolkien / Caitlin Vaughn Carlos. A Gothic Romance : Neomedieval Echoes of Fin'amor in Gothic and Doom Metal / Ross Hagen. Viking Metal / Simon Trafford. Medievalism and Identity Construction in Pagan Folk Music / Scott R. Troyer -- Section 6, Medievalism of the Screen. From the Music of the Ainur to the Music of the Voice-over : Music and Medievalism in The Lord of the Rings / Stephen C. Meyer. Faith, Fear, Silence, and Music in Ingmar Bergman's Medieval Vision of The Seventh Seal and The Virgin Spring / Alexis Luko. Hope Against Fate or Fata Morgana? : Music and Mythopoiesis in Boorman's Excalibur / David Clem. The Many Musical Medievalisms of Disney / John Haines. Evil Medieval : Chant and the New Dark Spirituality of Vietnam-Era Film in America / James Deaville. Fantasy Medievalism and Screen Media / James Cook. Gaming the Medievalist World in Harry Potter / Karen M. Cook.
要約、抄録、注釈等 The Oxford Handbook of Music and Medievalism provides a snapshot of the diverse ways in which medievalism-the retrospective immersion in the images, sounds, narratives, and ideologies of the European Middle Ages-powerfully transforms many of the varied musical traditions of the last two centuries. Thirty-three chapters from an international group of scholars explore topics ranging from the representation of the Middle Ages in nineteenth-century opera to medievalism in contemporary video game music, thereby connecting disparate musical forms across typical musicological boundaries of chronology and geography. While some chapters focus on key medievalist works such as Orff's Carmina Burana or Peter Jackson's Lord of the Rings films, others explore medievalism in the oeuvre of a single composer (e.g. Richard Wagner or Arvo Part) or musical group (e.g. Led Zeppelin). The topics of the individual chapters include both well-known works such as John Boorman's film Excalibur and also less familiar examples such as Eduard Lalo's Le Roi d'Ys. The authors of the chapters approach their material from a wide array of disciplinary perspectives, including historical musicology, popular music studies, music theory, and film studies, examining the intersections of medievalism with nationalism, romanticism, ideology, nature, feminism, or spiritualism. Taken together, the contents of the Handbook develop new critical insights that venture outside traditional methodological constraints and provide a capstone and point of departure for future scholarship on music and medievalism.
著者標目 Meyer, Stephen C., 1963-
Yri, Kirsten.
統一タイトル(シリーズ副出標目) Oxford handbooks.
シリーズ名・巻次 [Oxford handbooks] 
一般件名 Music -- Criticism and interpretation. -- 19th century
Music -- Criticism and interpretation. -- 20th century
資料情報1 『The Oxford handbook of music and medievalism /』([Oxford handbooks]) edited by Stephen C. Meyer and Kirsten Yri. Oxford University Press, [2020], (所蔵館:中央  請求記号:F/762.3/O98/O  資料コード:7113294619)
URL https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352045122