資料詳細

  • 1 件中、 1 件目

[ 洋図書 ] A violent peace : race, U.S. militarism, and cultures of democratization in Cold War Asia and the Pacific / ( Post 45 )

Christine Hong. -- Stanford University Press, -- c2020. --

所蔵

所蔵は 1 件です。

所蔵館 所蔵場所 資料区分 請求記号 資料コード 所蔵状態 資料の利用
配架日 協力貸出 利用状況 返却予定日 資料取扱 予約数 付録注記 備考
中央 3階C海外文学 一般洋図書 F/902.3/H77/V 7113539130 配架図 Digital BookShelf
2021/05/18 可能 利用可   0

Eメールによる郵送複写申込みは、「東京都在住」の登録利用者の方が対象です。

    • 統合検索
      都内図書館の所蔵を
      横断検索します。       類似資料 AI Shelf
      この資料に類似した資料を
      AIが紹介します。

ページの先頭へ

資料詳細 閉じる

ISBN 150360313X (hardcover)
ISBN13桁 9781503603134 (hardcover)
無効なISBN等 9781503612921 (electronic book)
テキストの言語 英語                  
分類：NDC10版 902.3
個人著者標目 Hong, Christine.
本タイトル A violent peace :
タイトル関連情報 race, U.S. militarism, and cultures of democratization in Cold War Asia and the Pacific /
著者名 Christine Hong.
出版地・頒布地 Stanford, California :
出版者・頒布者名 Stanford University Press,
出版年・頒布年 c2020.
数量 xi, 300 pages :
他の形態的事項 illustrations ;
大きさ 24 cm
書誌注記 Includes bibliographical references and index.
内容注記 Democracy in the teeth of fascism : the Black POW and the invisible war at home in Ralph Ellison's war writings -- Revolution from above : Oe Kenzaburo, the Black airman, and occupied Japan -- A blueprint for occupied Japan : Miné Okubo and the American concentration camp -- Possessive investment in ruin : the target, the proving ground, and the U.S. war machine in the nuclear Pacific -- People's war, people's democracy, people's epic : Carlos Bulosan, U.S. counterintelligence, and Cold War unreliable narration -- The enemy at home : urban warfare and the Russell Tribunal on Vietnam -- Militarized queerness : racial masking and the Korean War mascot
要約、抄録、注釈等 "Offering a critical account of the ways in which the US deployed its war power under liberal auspices throughout the Cold War, this book casts a geopolitical lens onto cultural productions preoccupied with black freedom, Asian liberation, and Pacific Islander decolonization against the backdrop of U.S. militarism in the Asia-Pacific region. The book examines the centrality of this militarism to the political and cultural imagination of racialized subjects in an era of serial U.S. "police actions" abroad and what writers such as James Baldwin, Ralph Ellison, and W.E.B. Du Bois described as a police state at home, contending that U.S. informal warfare relied on racial counterintelligence campaigns that structured not only America's hot wars in Asia but also its approach to radical activism, racial protest, and urban riots on the domestic front. As the author demonstrates, even as U.S. war politics may have taken the guise of anti-racist, multicultural alliance-building and marshaled the rhetoric of mutual defense, they gave rise to dissident visions of human rights that converged in a critique of the unilateralism of U.S. militarism, one that did not point in the direction of today's interventionist human rights politics. The book is in critical conversation with a spate of recent publications that might be called "Afro-Asian," but unlike these last, which tend to emphasize cross-racial solidarity, it highlights racial collusion, collaboration, and alignment with the post-1945 U.S. war machine as a paradoxical effect of the securitized "anti-racism" of the so-called Pax Americana. For Asian writers, artists, and filmmakers, Ōe Kenzaburo, Nakazawa Keiji, Byun Young-Joo, and Carlos Bulosan, the imagination of postcolonial or post-imperial justice is troubled by the period's deferral of decolonization. Literature by Miné Okubo, Chang-rae Lee, and Robert Barclay variously takes immigration, repatriation, or relocation as its theme, yet looming over this conditional incorporation into the postwar U.S. body politic is the specter of America's militarism in Asia. If these works by Asian American and Pacific Islanders implicitly query whether material redress is satisfied through U.S. citizenship or economic assistance, the major African American writers examined in this study critique civil rights as too narrow a horizon for racial democracy. Positing Jim Crow as war without end, they seek a vernacular for racial justice that transcends national boundaries, and in the case of Ellison and Baldwin, politicize black freedom via homology with historic U.S. foes, the Axis and the Vietcong. If visions of redress imply an obligation to restructure, the works assembled here lay bare the under-theorized composite nature of U.S. militarism and use cultural critique to engage in radical democratic deliberation"--
統一タイトル(シリーズ副出標目) Post 45.
シリーズ名・巻次 Post 45 
一般件名 War and literature -- History -- 20th century.
Politics and literature -- History -- 20th century.
地名件名 United States -- History. -- East Asia
United States -- History. -- Southeast Asia
資料情報1 『A violent peace : race, U.S. militarism, and cultures of democratization in Cold War Asia and the Pacific /』（Post 45）　Christine Hong.　Stanford University Press,　c2020. （所蔵館：中央　 請求記号：F/902.3/H77/V　 資料コード：7113539130）
URL https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352046685

ページの先頭へ