資料詳細

  • 1 件中、 1 件目

[ 洋図書 ] Abstract art : a global history /

Pepe Karmel. -- Thames & Hudson Ltd., -- 2020. --

所蔵

所蔵は 1 件です。

所蔵館 所蔵場所 資料区分 請求記号 資料コード 所蔵状態 資料の利用
配架日 協力貸出 利用状況 返却予定日 資料取扱 予約数 付録注記 備考
中央 3階B美術大型 一般洋図書 DF/723.0/K18/A 7113633517 配架図 Digital BookShelf
2021/01/26 可能 利用可   0

Eメールによる郵送複写申込みは、「東京都在住」の登録利用者の方が対象です。

    • 統合検索
      都内図書館の所蔵を
      横断検索します。       類似資料 AI Shelf
      この資料に類似した資料を
      AIが紹介します。

ページの先頭へ

資料詳細 閉じる

ISBN 0500239584 (hardcover)
ISBN13桁 9780500239582 (hardcover)
テキストの言語 英語                  
分類：NDC10版 723.07
個人著者標目 Karmel, Pepe.
本タイトル Abstract art :
タイトル関連情報 a global history /
著者名 Pepe Karmel.
出版地・頒布地 London :
出版者・頒布者名 Thames & Hudson Ltd.,
出版年・頒布年 2020.
数量 344 pages :
他の形態的事項 illustrations (chiefly color) ;
大きさ 32 cm.
書誌注記 Includes bibliographical references (pages 334-336) and index.
内容注記 Preface -- Introduction -- 1. Bodies. Dancers, athletes and poets ; Workers and machines ; Embryos and blobs ; Totems ; Presences ; Skins and folds ; Organs and fluids -- 2. Landscapes. Vortexes and gusts ; Cliffs, waterfalls and fogs ; Waves ; Open windows ; Vibrations 3. Cosmologies. Orbits ; Suns and planets ; Star charts -- 4. Architectures. Towers, buildings and boxes ; Windows, plans, and elevations -- 5. Signs & patterns. Fabric and decoration ; Typography ; Calligraphy ; Maps and charts.
要約、抄録、注釈等 Pepe Karmel reconsiders the history of abstraction from a global perspective and demonstrates that abstraction is embedded in the real world. He surveys artists from across the globe, examining their work from the point of view of content rather than form. Previous writers have approached the history of abstraction as a series of movements solving a series of formal problems. In contrast, Karmel focuses on the subject matter of abstract art, showing how artists have used abstract imagery to express social, cultural and spiritual experience. An introductory discussion of the work of the early modern pioneers of abstraction opens up into an approach to abstract art based around five inclusive themes - the body, the landscape, the cosmos, architecture, and the repertory of man-made signs and patterns - each of which has its own chapter. Starting from a figurative example, Karmel works outwards to develop a series of narratives that is complemented by a number of 'featured' abstract works. A wide-ranging examination of topics - from embryos to the surface of skin, from vortexes to waves, planets to star charts, towers to windows - is interwoven with analysis of works by artists like Joan Miro and Jackson Pollock alongside pieces by lesser-known artists such as Wu Guanzhong, Hilma af Klint and Odili Donald Odita.,""Abstract art is always rooted in experience of the real world." So begins art historian Pepe Karmel's bold new exploration of the origins and evolution of the movement that revolutionized modern art. Traditional histories of the subject have concentrated on formal innovations--abstraction as a sequence of "isms"--with less interest in how the art relates to the world around us. At the same time, these histories have tended to privilege a core group of European and North American artists considered central to the subject's discussion. Moving well beyond the established figures and movements usually associated with abstract art, and focusing on subject matter and content rather than simply color and form, Karmel reconsiders the history of abstraction from a global perspective, showing readers how artists from all parts of the world have used abstract imagery to convey personal, social and political experience. Following an introductory account of the pioneers of abstraction, including Piet Mondrian, Kazimir Malevich and Jackson Pollock, the book forgoes a standard chronological structure to explore the subject through five eclectic, theme-based chapters. "Bodies," "Landscapes," "Cosmologies," "Architecture," ans "Signs and Patterns." Taking a figurative artwork as the starting point for each chapter, the author ranges across a wide array of topics--embryos, star charts and calligraphy among them--all while clearly demonstrating the link between abstraction and the real world. Complementing the text throughout are groups of carefully selected artworks, paired to reveal surprising affinities and significant differences. At the heart of the book is desire to demonstrate new ways of looking at abstract art through the prism of a broader, more inclusive mix of artists, from Vasily Kandinsky to Ibrahim El-Salahi, Carlos Cruz-Diez to Bridget Riley. Anni Albers to Sean Scully, and Julie Mehretu to Wu Guanzhong."--book jacket.
一般件名 Art, Abstract -- History.
Art, Abstract
資料情報1 『Abstract art : a global history /』　Pepe Karmel.　Thames & Hudson Ltd.,　2020. （所蔵館：中央　 請求記号：DF/723.0/K18/A　 資料コード：7113633517）
URL https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352046942

ページの先頭へ