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[ 洋図書 ] The solfeggio tradition : a forgotten art of melody in the long eighteenth century /

Nicholas Baragwanath. -- Oxford University Press, -- [2020], --

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ISBN 0197514081 (hardcover)
ISBN13桁 9780197514085 (hardcover)
無効なISBN等 9780197514108 (electronic publication)
テキストの言語 英語                  
分類：NDC10版 761.2
個人著者標目 Baragwanath, Nicholas.
本タイトル The solfeggio tradition :
タイトル関連情報 a forgotten art of melody in the long eighteenth century /
著者名 Nicholas Baragwanath.
その他のタイトル Forgotten art of melody in the long eighteenth century
出版地・頒布地 New York, NY :
出版者・頒布者名 Oxford University Press,
出版年・頒布年 [2020],
数量 xix, 410 pages :
他の形態的事項 music ;
大きさ 27 cm
書誌注記 Includes bibliographical references (pages [339]-398) and index.
内容注記 Introduction. Discovering solfeggio -- Context : Apprenticeship, plainchant, and the rudiments. Sepperl's Story : A case study in music and social mobility ; The church music industry ; Eighteenth-century plainchant -- for beginners ; Canto fermo and Canto figurato -- Theory and practice : Lessons in the art of melody. Speaking solfeggio ; Singing solfeggio ; Learning la sol fa mi, with some hints on musical grammar ; Solano and Sabbatini on modulation -- The solfeggio repertory : Types, styles, and genres. Defining solfeggio ; Unaccompanied solfeggio ; Accompanied solfeggio ; Solfeggio and partimento. Epilogue. Alternative systems and the end of the great tradition.
要約、抄録、注釈等 "This book is the first study of the solfeggio tradition, which was fundamental to the training of European musicians, c. 1680-1830. It addresses one of the last major gaps in historical research on 18th-century performance and pedagogy. The method flourished in Italian conservatories for disadvantaged children, especially at Naples. The presence of large manuscript collections in European archives (almost 300 in Italy alone) testifies to the importance of this kind of exercise. Drawing on research into over a thousand manuscript sources, the book reconstructs the way that professional musicians in Europe learned and thus conceived the fundamentals of music. It reveals an approach that differs radically from modern assumptions. Solfeggi underpinned an art of melody that allowed practitioners to improvise and compose fluently. Part I provides contextual information on apprenticeship, the church music industry, its associated schools, and the continued significance of plainchant to music education. Part II reconstructs the real lessons of an apprentice over the course of three or four years, from spoken to sung solfeggio. Part III surveys the primary sources, classifying solfeggi into four main types and outlining their historical origins, characteristic features, and pedagogical purposes"--Provided by publisher.
一般件名 Solmization -- History -- 18th century.
Sight-singing -- History -- 18th century.
資料情報1 『The solfeggio tradition : a forgotten art of melody in the long eighteenth century /』　Nicholas Baragwanath.　Oxford University Press,　[2020], （所蔵館：中央　 請求記号：F/761.2/B22/S　 資料コード：7114311859）
URL https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352049625

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