| ISBN |
067491922X (hardcover)
|
| ISBN13桁 |
9780674919228 (hardcover)
|
| テキストの言語 |
英語
|
| 分類：NDC10版 |
702.53
|
| 個人著者標目 |
Fleetwood, Nicole R.
|
| 本タイトル |
Marking time :
|
| タイトル関連情報 |
art in the age of mass incarceration /
|
| 著者名 |
Nicole R. Fleetwood.
|
| 出版地・頒布地 |
Cambridge, Massachusetts :
|
| 出版者・頒布者名 |
Harvard University Press,
|
| 出版年・頒布年 |
2020,
|
| 数量 |
xxvi, 323 pages :
|
| 他の形態的事項 |
illustrations (some color), portraits ;
|
| 大きさ |
22 cm.
|
| 一般注記 |
"Through Apr 4, 2021, MoMA P.S.1. -- This major exhibition explores the work of artists within US prisons and the centrality of incarceration to contemporary art and culture. Featuring art made by people in prisons and work by nonincarcerated artists concerned with state repression, erasure, and imprisonment, Marking Time: Art in the Age of Mass Incarceration highlights more than 35 artists, including American Artist, Tameca Cole, Russell Craig, James 'Yaya' Hough, Jesse Krimes, Mark Loughney, Gilberto Rivera, and Sable Elyse Smith. The exhibition has been updated to reflect the growing COVID-19 crisis in US prisons, featuring new works by exhibition artists made in response to this ongoing emergency."--Page S. 1 Contemporary Art Center website (viewed on October 15, 2020)
|
| 書誌注記 |
Includes bibliographical references (pages 265-296) and index.
|
| 内容注記 |
Carceral aesthetics: penal space, time, and matter -- State goods: clandestine practices and prison art collectives -- Captured by the frame: photographic studies of prisoners -- Interior subjects: portraits by incarcerated artists -- Fraught imaginaries: collaborative art in prison -- Resisting isolation: art in solitary confinement -- Posing in prison: family photographs, practices of belonging, and carceral landscapes.
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| 要約、抄録、注釈等 |
"More than two million men and women are currently behind bars in the United States. Incarceration not only separates the imprisoned from their families and communities, it also exposes them to shocking levels of violence and sexual assault and subjects them to the arbitrary cruelties of the criminal justice system. Yet, as Nicole Fleetwood reveals, America's prisons are filled with art. Despite the isolation and degradation they experience, the incarcerated are driven to assert their humanity in the face of a system that dehumanizes them. Based on interviews with currently and formerly incarcerated artists, prison visits, and the author's own family experiences with the penal system, Marking Time shows how the imprisoned turn ordinary objects into elaborate works of art. Working with meager supplies and in the harshest conditions-including solitary confinement-these artists find ways to resist the brutality and depravity that prisons engender. The impact of their art, Fleetwood observes, can be felt far beyond prison walls. Their bold works, many of which are being published for the first time in this volume, have opened new possibilities in American art. As the movement to reform the country's criminal justice system grows, art provides the imprisoned with a political voice. Their works testify to the economic and racial injustices that underpin American punishment and offer a new vision of freedom for the twenty-first century"--Provided by publisher
|
| 団体名(副出標目) |
P.S. 1 Contemporary Art Center,
|
| 一般件名 |
Prisoners as artists -- United States.
Arts in prisons -- United States. |
| 地名件名 |
United States.
|
| 資料情報1 |
『Marking time :
art in the age of mass incarceration /』 Nicole R. Fleetwood. Harvard University Press, 2020,
（所蔵館：中央
請求記号：F/702.5/F59/M
資料コード：7114440981）
|
| URL |
https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352050288 |
