Susan Blakeley Klein. -- Harvard University Asia Center, -- 2021. --

所蔵

所蔵は 1 件です。

所蔵館 所蔵場所 資料区分 請求記号 資料コード 所蔵状態 資料の利用
配架日 協力貸出 利用状況 返却予定日 資料取扱 予約数 付録注記 備考
中央 1F話題の洋書 一般洋図書 F/773.2/K64/D 7114453596 配架図 Digital BookShelf
2021/12/21 可能 利用可   0
Eメールによる郵送複写申込みは、「東京都在住」の登録利用者の方が対象です。

資料詳細 閉じる

ISBN 0674247841 (hardcover)
ISBN13桁 9780674247840 (hardcover)
テキストの言語 英語                  
分類:NDC10版 773.2
個人著者標目 Klein, Susan Blakeley.
本タイトル Dancing the dharma :
タイトル関連情報 religious and political allegory in Japanese noh theater /
著者名 Susan Blakeley Klein.
その他のタイトル Religious and political allegory in Japanese noh theater
出版地・頒布地 Cambridge (Massachusetts) :
出版者・頒布者名 Harvard University Asia Center,
出版年・頒布年 2021.
数量 xvi, 401 pages ;
大きさ 24 cm.
一般注記 "distributed by Harvard University Press"
書誌注記 Includes bibliographical references (pages [359]-382) and index.
内容注記 Introduction -- Part I: Allegory and the commentary tradition in poetry and noh -- Establishing the frame: Allegory, commentary, narihira -- The six poetic modes: A medieval understanding of allegory -- Zenchiku, Meishukushu, and allegoresis -- Part II: Ise Monogatari commentaries and Noh -- Early Noh and medieval commentaries on Ise Monogatari -- A storm of blossoms: An unstable Narihira in Unrin'in -- Spellbound by blossoms: Oshio as political and religious allegory -- The color of love: Desire and enlightenment in Kakitsubata -- Part III: Kokinshu commentaries and Noh -- Turning damsel flowers into lotus blossoms: Female soteriology in Ominameshi -- Emerging from the waves: Sumiyoshi as protector of Japan in Haku Rakuten.
要約、抄録、注釈等 "Dancing the Dharma examines the theory and practice of allegory by exploring a select group of medieval Japanese noh plays and treatises. Author Susan Blakeley Klein demonstrates how medieval esoteric commentaries on the tenth-century poem-tale Ise monogatari (Tales of Ise) and the first imperial waka poetry anthology Kokin wakashū influenced the plots, characters, imagery, and rhetorical structure of seven plays (Maiguruma, Kuzu no hakama, Unrin'in, Oshio, Kakitsubata, Ominameshi, Haku Rakuten) and two treatises (Zeami's Rikugi and Zenchiku's Meishukushū). In so doing, she shows that it was precisely the allegorical mode-vital to medieval Japanese culture as a whole-that enabled the complex layering of character and poetic landscape we typically associate with noh. Understanding noh's allegorical structure and paying attention to the localized historical context for individual plays, argues Klein, are key to recovering their original function as political and religious allegories. Now viewed in the context of contemporaneous beliefs and practices of the medieval period, noh plays take on a greater range and depth of meaning and offer new insights into medieval Japan to readers today"--Provided by publisher.
統一タイトル(シリーズ副出標目) Harvard East Asian monographs ;
シリーズの巻次 435.
シリーズ名・巻次 Harvard East Asian monographs ; 435
一般件名 Nō.
Nō plays.
地名件名 Japan.
資料情報1 『Dancing the dharma : religious and political allegory in Japanese noh theater /』(Harvard East Asian monographs ; 435) Susan Blakeley Klein. Harvard University Asia Center, 2021. (所蔵館:中央  請求記号:F/773.2/K64/D  資料コード:7114453596)
URL https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352050435