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[ 洋図書 ] A history of emotion in Western music : a thousand years from chant to pop /

Michael Spitzer. -- Oxford University Press, -- [2020], --

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ISBN 0190061758 (hardcover)
ISBN13桁 9780190061753 (hardcover)
無効なISBN等 9780190061777 (electronic publication)
テキストの言語 英語                  
分類：NDC10版 761.13
個人著者標目 Spitzer, Michael.
本タイトル A history of emotion in Western music :
タイトル関連情報 a thousand years from chant to pop /
著者名 Michael Spitzer.
出版地・頒布地 New York, NY :
出版者・頒布者名 Oxford University Press,
出版年・頒布年 [2020],
数量 xii, 437 pages :
他の形態的事項 illustrations, music
大きさ 27 cm
書誌注記 Includes bibliographical references (pages [393]-415) and index.
内容注記 Introduction: "Why not?" -- I. The theory. 1. Concepts. The aim of this book ; What is emotion? ; From emotion to musical emotion ; The will of the tones ; The age of anxiety ; Against expectation: an alternative view and an example ; Getting appraisal right ; Entäusserung: a summary , a theory, and an example ; Prospects -- 2. Categories. Revisiting the circumplex ; Processing styles in Bach ; From labels to worlds ; Happiness ; Anger ; Sadness ; Love ; Fear -- 3. Compounds. Display rules ; Basic and complex emotions ; Wonder and the sublime ; Nostalgia and hope ; Pride and shame ; Jealousy and envy ; Disgust and boredom -- 4. Histories. Emotion or expression? ; Affective realism ; The history of history of emotion ; The hydraulic model: Norbert Elias ; Emotional communities: Barbara Rosenwein ; Emotives: William Reddy ; The emotional habitus ; The cross-cultural habitus ; Habitus as performance ; An example: performing Bach's Sonata -- II. The narrative. Before emotion. 5. The Augustinian ascent. The emotion of chant ; Two emotional communities: Rupertsberg and Saint Victoire ; Hildegard of Bingen ; Hugh of Saint Victoire ; The Thomist descent ; Hope in Machaut ; The pity of Dufay ; Humanism ; Neoplatonism ; The hydraulic model ; Renaissance self-fashioning and liquefaction ; Anger and grief management at Ferrara ; The swerve ; Atomism in the madrigal ; Climax and fall -- The age of affective realism. 6. Passions. The age of Descartes and Spinoza ; The invention of Entäusserung ; Vivaldi and exteriority ; Bach and interiority ; Sublime Handel ; The wonder of Rameau -- 7. Sentiments. Hume and Smith: de-centering passion ; The geography of the Classical style ; The sensibility of madness ; The cruelty of laughter ; Beethoven and the glory of war -- 8. Emotions. Idealism and materialism ; Individual and social emotions ; Aesthetes and other animals -- After emotion. 9. Affects. Theorizing affect ; The Bergson axis ; The Husserl circle ; Three lines of flight ; Atonal emotion ; Serial emotion ; Departure and return? ; Stockhausen as God ; Boulez and schizophrenia ; The frozen tears of Helmut Lachenmann ; American cool ; Four flavors of cool ; Sounding technology ; The new realism: five songs ; 9/11.
要約、抄録、注釈等 "This book is the first history of musical emotion in any language. Combining intellectual history, music studies, philosophy and cognitive psychology, it unfolds a history of musical emotion across a thousand years of Western art music, from chant to pop. It affords a new way of analysing music, revealing the relationship between emotion and musical structure. The book also provides an introduction to the latest approaches to emotion research, as well as an original theory of how musical emotion works. The book is disposed in two parts. Part 1 (chapters 1-4) comprises the theoretical foundation of the book. Part 2 (chapters 5-9) provides an historical narrative from medieval to contemporary music. Chapter 1 summarizes contemporary theories of emotion in general, and of musical emotion in particular, bringing together seminal philosophers and psychologists. Chapter 2 contains the core of the book's original thesis: that five basic emotions (happiness, sadness, anger, tenderness, and fear) constitute five categories of musical emotion throughout the common-practice period. Chapter 3 outlines a variety of complex musical emotions, such as wonder, nostalgia, envy, and disgust. Chapter 4 explores the historiography of emotion, including the seminal writings of Elias, Rosenwein, and Reddy. Part 2 of the book (chapters 5-9) explores a millennium of Western music in terms of shifting categories of emotion: from affections and passions through sentiments, emotions proper, to modern affect"--Provided by publisher.
一般件名 Emotions in music -- History.
Music -- Psychological aspects.
資料情報1 『A history of emotion in Western music : a thousand years from chant to pop /』　Michael Spitzer.　Oxford University Press,　[2020], （所蔵館：中央　 請求記号：F/761.1/S76/H　 資料コード：7114561379）
URL https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352050576

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