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[ 洋図書 ] Japanese art in perspective : East-West encounters / ( Japan library )

Takashina Shūji ; translated by Matt Treyvaud. -- Japan Publishing Industry Foundation for Culture (JPIC), -- 2021, -- First English edition.

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ISBN 4866581808 (hardcover)
ISBN13桁 9784866581804 (hardcover)
テキストの言語 英語                  
原文の言語 日本語    
分類：NDC10版 721
個人著者標目 高階 秀爾,
生没年等 1932-
本タイトル Japanese art in perspective :
タイトル関連情報 East-West encounters /
著者名 Takashina Shūji ; translated by Matt Treyvaud.
その他のタイトル 増補日本美術を見る眼 東と西の出会い
版表示 First English edition.
出版地・頒布地 Tokyo, Japan :
出版者・頒布者名 Japan Publishing Industry Foundation for Culture (JPIC),
出版年・頒布年 2021,
数量 191 pages, viii pages of plates :
他の形態的事項 illustrations (some color) ;
大きさ 22 cm.
一般注記 日本語タイトル(奥付): (英文版)増補日本美術を見る眼 東と西の出会い
学位論文注記 "This book is a translation of Zōho Nihon bijutsu o miru me : higashi to nishi no deai, which was published by Iwanami Shoten, Publishers, Tokyo, first in hardcover in 1991, followed by a paperback edition in 1996, and then republished in 2009 with additional essays."--Title page verso.
書誌注記 Includes bibliographical references.
内容注記 Part 1. Methods of Japanese Art. -- chapter 1. The character of Japanese Aesthetics -- chapter 2. Object and Form -- chapter 3. Forms of Seeing, East and West -- chapter 4. The "Trailing Bough" Motif -- chapter 5. The Art of the Journey -- chapter 6. The Principle of Ornamentation. -- Part II. East-West Encounters -- chapter 7. East and West in Meiji Painting -- chapter 8. The Avant-Garde in Japanese Art -- chapter 9. Japanese Academism -- chapter 10. Some Problems of Japonisme. -- Part III. Passing Beauty, Returning Memory -- chapter 11. The Aesthetics of Transition: the Four Seasons and the Japanese Sense of Beauty -- chapter 12. "The Color of the Flowers": Symphonies of Image and Word -- chapter 13. The Heritage of Memory: Intangible Culture as Japanese Tradition.
要約、抄録、注釈等 How do Japanese and Western aesthetics differ? In this comparative cultural study, the author, a leading scholar of Western art history and insightful commentator on Japanese art, compares the two artistic traditions to reveal the distinctive characteristics of the Japanese sense of beauty. The first section of the book, Methods of Japanese Art, uses examples and cross-cultural comparisons to elucidate the techniques by which Japanese artists cultivated their unique approach. These include roving rather than fixed perspective, the 'aesthetic of negation' - excising the unnecessary to emphasize what remains - and the 'trailing bough' motif, which evokes a world beyond the work's borders and influenced Western artists such as Monet. In the second section, East-West Encounters, the book examines the history of cultural interaction between Japan and the West from the early modern period on and its influence on the art of both. The third section, Passing Beauty, Returning Memory, contains essays on Japanese culture more broadly, including its preference for recurring forms over fixed monuments and its tradition of combining multiple seasons in a single image. This book is a guide not only to the art of Japan but to the essence of its spiritual culture.--From publisher's description.
著者標目 Treyvaud, Matt,
統一タイトル(シリーズ副出標目) Japan library (Shuppan Bunka Sangyō Shinkō Zaidan)
シリーズ名・巻次 Japan library 
一般件名 Art, Japanese -- To 1868.
Painting, Japanese -- Meiji period, 1868-1912.
資料情報1 『Japanese art in perspective : East-West encounters /』（Japan library）First English edition.　Takashina Shūji ; translated by Matt Treyvaud.　Japan Publishing Industry Foundation for Culture (JPIC),　2021, （所蔵館：中央　 請求記号：F/721.0/T13/J　 資料コード：7114471020）
URL https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352051010

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