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[ 洋図書 ] Indonesian cinema after the new order : going mainstream /

Thomas Barker. -- HKU Press, -- [2019], --

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ISBN 9888528076 (hardback)
ISBN13桁 9789888528073 (hardback)
無効なISBN等 9789882204751 (PDF ebook)
テキストの言語 英語                  
分類：NDC10版 778.224
個人著者標目 Barker, Thomas
姓名の完全形 (Thomas Alexander Charles)
本タイトル Indonesian cinema after the new order :
タイトル関連情報 going mainstream /
著者名 Thomas Barker.
出版地・頒布地 Hong Kong :
出版者・頒布者名 HKU Press,
出版年・頒布年 [2019],
数量 vii, 234 pages :
他の形態的事項 illustrations ;
大きさ 24 cm
書誌注記 Includes bibliographical references (pages [215]-227) and index.
内容注記 Introduction : Indonesian cinema after authoritarianism -- Indonesian cinema before reformasi -- From indie to mainstream -- Horrifying youth -- Marrying Islam and pop culture -- Audiences without cinemas -- Producing an oligopoly -- Friction : society, censorship, and government policy -- Conclusion : Indonesian cinema as pop culture.
要約、抄録、注釈等 "In Indonesian Cinema after the New Order: Going Mainstream, Thomas Barker presents the first systematic and most comprehensive history of contemporary Indonesian cinema. The book focuses on a 20-year period of great upheaval from modest, indie beginnings, through mainstream appeal, to international recognition. More than a simple narrative, Barker contributes to cultural studies and sociological research by defining the three stages of an industry moving from state administration; through needing to succeed in local pop culture, specifically succeeding with Indonesian youth, to remain financially viable; until it finally realizes international recognition as an art form. This "going mainstream" paradigm reaches far beyond film history and forms a methodology for understanding the market in which all cultural industries operate, where the citizen-consumer (not the state) becomes sovereign. Indonesia presents a particularly interesting case because "going mainstream" has increasingly meant catering to the demands of new Islamic piety movements. It has also meant working with a new Ministry of Tourism and Creative Economy, established in 2011. Rather than a simplified creative world many hoped for, Indonesian filmmaking now navigates a new complex of challenges different to those faced before 1998. Barker sees this industry as a microcosm of the entire country: democratic yet burdened by authoritarian legacies, creative yet culturally contested, international yet domestically shaped"--Provided by publisher.
一般件名 Motion pictures -- History. -- Indonesia
Motion picture industry -- History. -- Indonesia
地名件名 Indonesia.
Indonesien
資料情報1 『Indonesian cinema after the new order : going mainstream /』　Thomas Barker.　HKU Press,　[2019], （所蔵館：中央　 請求記号：F/778.2/B25/I　 資料コード：7114781292）
URL https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352052305

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