Linda Nochlin ; edited by Aruna D'Souza. -- Thames & Hudson Ltd ; -- 2022, --

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中央 3階B 一般洋図書 F/702.0/N75/M 7115633140 配架図 Digital BookShelf
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ISBN 0500293708 (hardcover)
ISBN13桁 9780500293706 (hardcover)
無効なISBN等 9780500777152 (ePub ebook)
テキストの言語 英語                  
分類:NDC10版 702.06
個人著者標目 Nochlin, Linda.
本タイトル Making it modern :
タイトル関連情報 essays on the art of the now /
著者名 Linda Nochlin ; edited by Aruna D'Souza.
出版地・頒布地 London :
出版者・頒布者名 Thames & Hudson Ltd ;
出版年・頒布年 2022,
数量 448 pages :
他の形態的事項 illustrations (some color) ;
大きさ 25 cm.
書誌注記 Includes bibliographical references (pages 438-440) and index.
内容注記 How Linda Nochlin made it modern / Aruna D'Souza -- Revolutions in art and history. 1848: the revolution in art history ; Meyer Schapiro's modernism ; Courbet, David, and the imaginative afterlife of the French Revolution -- Bodies of modernity. Pissarro, Cézanne, and the eternal feminine ; Renoir's men: constructing the myth of the natural ; Body politics: Seurat's Poseuses ; Camille Corot: the nude without qualities -- Abstracting the body. Bonnard's bathers ; The world according to Gober ; "Sex is so abstract": the nudes of Andy Warhol -- Othering art history. Sex and the "Sepoy Mutiny": the intersection of race and gender in the colonial imaginary ; Learning from Black male ; The imaginary Orient -- Abstraction and realism. Kelly: making abstraction anew ; The realist criminal and the abstract law ; The new realists ; Picasso's color: schemes and gambits -- Museums and vision. Museums and radicals: a history of emergencies ; The museum as Bildungsroman: my life in art, trash, and fashion ; Matisse and its other ; The naked and the dread: reviewing the modern nude -- Genre and form. Impressionist portraits and the construction of modern identity ; Francis Bacon and the fear of narrative ; Academic art and the death of narrative ; Camille Pissarro: the unassuming eye ; Death and gender in Manet's still lifes -- Art as/and work. The Paterson Strike Pageant of 1913 ; Van Gogh, Renouard, and the Weavers' Crisis in Lyons ; Seurat's Grande Jatte: an anti-utopian allegory ; The Cribleuses de blé: Courbet, Millet, Breton, Kollwitz, and the image of the working woman.
要約、抄録、注釈等 This illustrated, edited collection of essays brings together for the first time some of the pioneering art historian Linda Nochlin's most important writings on modernism and modernity from across her six-decade career. Before the publication of her seminal tract on feminism in art, 'Why Have There Been No Great Women Artists?', Nochlin had already firmly established herself as a major practitioner of a politically sophisticated and class-conscious social art history, with her writings on modernism being transformative to the discipline. Nochlin embraced Charles Baudelaire's conviction that modernity meant to be of one's time - and that the role of an art historian was to understand the art of the past not only in its own historical context, but according to the urgencies of the contemporary world. From academic debates about the nude in the 18th century to the work of Robert Gober in the 21st, whatever she turned her analytic eye to was very much conceived as the art of the now - the art we need to look at to navigate the complexities and contradictions of the present.
著者標目 D'Souza, Aruna.
一般件名 Modernism (Art)
Modernism (Aesthetics)
資料情報1 『Making it modern : essays on the art of the now /』 Linda Nochlin ; edited by Aruna D'Souza. Thames & Hudson Ltd ; 2022, (所蔵館:中央  請求記号:F/702.0/N75/M  資料コード:7115633140)
URL https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352056228