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[ 洋図書 ] Suzuki Seijun and postwar Japanese cinema /

William Carroll. -- Columbia University Press, -- [2022], --

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中央 3階B 一般洋図書 F/778.2/S96/S 7115758092 配架図 Digital BookShelf
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ISBN 0231204361 (hardcover)
ISBN13桁 9780231204361 (hardcover)
無効なISBN等 9780231555500 (electronic book)
テキストの言語 英語                  
分類：NDC10版 778.21
個人著者標目 Carroll, William
姓名の完全形 (William James),
本タイトル Suzuki Seijun and postwar Japanese cinema /
著者名 William Carroll.
出版地・頒布地 New York :
出版者・頒布者名 Columbia University Press,
出版年・頒布年 [2022],
数量 xii, 286 pages :
他の形態的事項 illustrations ;
大きさ 25 cm.
書誌注記 Includes bibliographical references (pages [253]-263), filmography (page 250) and index.
内容注記 Introduction. Why Suzuki Seijun? -- 1968 & the Suzuki Seijun incident -- Suzuki Seijun and the impossibility of cinema -- Postwar Japanese genre filmmaking and the Nikkatsu idiom -- The emergence of the Seijun-esque -- The authorial voice of Suzuki Seijun.
要約、抄録、注釈等 "In 1968, Seijun Suzuki, a low-budget genre Japanese filmmaker and director of such films as Branded to Kill, Tokyo Drifter, and Gate of Flesh, was suddenly fired from Nikkatsu Studios. His dismissal, soon to be known as the "Seijun Suzuki Incident," became a cause for student protesters and a burgeoning group of cinephiles to rally around. Following the firing, his films emerged as central to questions of politics and aesthetics in Japanese cinema. Since then, Seijun's idiosyncratic style and films have won over a cult audience around the world and has influenced directors such as John Woo, Jim Jarmusch, and Quentin Tarantino. In A Flatness That Expands Towards Infinity: The Films of Suzuki Seijun, William Carroll analyzes Seijun's films in relation to Japanese politics, industrial practices, and film theory from the period. Carroll places his work between two factions that claimed him as one of their own after 1968: the politicized theoretical practice of the New Left on the one hand and the apparently apolitical formalist cinephile criticism on the other. He describes how Seijun navigated the demands of the Japanese studio system as he created a body of work that both worked within and challenged genre, narrative, and audience expectations"-- Provided by publisher.
個人件名 Suzuki, Seijun,
生没年等 1923-2017
一般件名細目 Criticism and interpretation.
一般件名 Motion pictures -- History -- Japan -- 20th century.
Motion pictures -- History. -- Japan
地名件名 Japan.
資料情報1 『Suzuki Seijun and postwar Japanese cinema /』　William Carroll.　Columbia University Press,　[2022], （所蔵館：中央　 請求記号：F/778.2/S96/S　 資料コード：7115758092）
URL https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352056978

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