| ISBN |
1640140859 (hardbound ; acid-free paper)
|
| ISBN13桁 |
9781640140851 (hardbound ; acid-free paper)
|
| 無効なISBN等 |
9781800100329 (electronic book)
|
| テキストの言語 |
英語
|
| 分類：NDC10版 |
940.278
|
| 個人著者標目 |
Malchow, Timothy Bruce.
|
| 本タイトル |
Günter Grass and the genders of German memory :
|
| タイトル関連情報 |
from The tin drum to Peeling the onion /
|
| 著者名 |
Timothy B. Malchow.
|
| 出版地・頒布地 |
Rochester, New York :
|
| 出版者・頒布者名 |
Camden House,
|
| 出版年・頒布年 |
2021.
|
| 数量 |
x, 246 pages ;
|
| 大きさ |
24 cm.
|
| 書誌注記 |
Includes bibliographical references (pages [217]-231) and index.
|
| 内容注記 |
Introduction -- Grass's biography in context: 1927-1959 -- Corporeal memory, trauma, and art in The Tin Drum -- Bildung, Heimat, and gendered modes of German memory in The Tin Drum -- A patriarchal arbiter of German cultural memory and his feminized others: leveling Bildung, Opening Heimat, and championing art from the 1960s to the New Millennium -- Grass's early life once again: broken silence, mourning, and gendered approaches to memory in Peeling the Onion -- Epilogue -- Works Cited.
|
| 要約、抄録、注釈等 |
"Günter Grass (1927-2015) was a fixture at the heart of German cultural life, a self-styled spokesman of the Kulturnation (cultural nation) who imagined it linking him to canonical male literary figures and their authority. He was also the object of valid feminist criticism: a rigid conception of gender permeates his works, belying his professed skepticism toward ideologies. A heterosexual male, Grass lent his representative persona a natural veneer by appropriating his era's gendered discursive constructs, including Heimat, the Bildungsroman, and narratives about German wartime victims and perpetrators. Such appropriation elevated his remembering artist's masculinity above that of the status quo's defenders and exploiters of memory. This book is the first to evaluate the connection between gender and memory in Grass's oeuvre and its legacy in light of current concerns about male privilege. It highlights his breakthrough novel The Tin Drum (1959) and his memoir Peeling the Onion (2006). The former establishes the gendered persona that Grass would develop in subsequent decades to relate contemporary issues to Nazi-era memories. The latter reclaims the novel's autobiographical material but fails to account for his decades-long silence about having served in the Nazi Waffen-SS. Instead, it foregrounds his mourning for his mother, allowing for a more personal reading of his oeuvre and its gendered imagery." -- Provided by publisher.
|
| 個人件名 |
Grass, Günter,
|
| 生没年等 |
1927-2015.
|
| 著作のタイトル |
Blechtrommel.
|
| 一般件名細目 |
Criticism and interpretation.
|
| 統一タイトル(件名) |
Blechtrommel (Grass, Günter)
|
| 統一タイトル(シリーズ副出標目) |
Culture and power in German-speaking Europe, 1918-1989
|
| シリーズ名・巻次 |
Culture and power in German-speaking Europe, 1918-1989 |
| 一般件名 |
Sex role in literature.
Memory in literature. |
| 資料情報1 |
『Günter Grass and the genders of German memory :
from The tin drum to Peeling the onion /』（Culture and power in German-speaking Europe, 1918-1989） Timothy B. Malchow. Camden House, 2021.
（所蔵館：中央
請求記号：F/940.2/G76/G7
資料コード：7115962336）
|
| URL |
https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352058206 |
