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[ 洋図書 ] Theorizing colonial cinema : reframing production, circulation, and consumption of film in Asia / ( New directions in national cinemas )

edited by Nayoung Aimee Kwon, Takushi Odagiri, and Moonim Baek. -- Indiana University Press, -- [2022] --

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ISBN 0253059747 (hardcover)
ISBN13桁 9780253059741 (hardcover)
無効なISBN等 9780253059765 (electronic book)
テキストの言語 英語                  
分類：NDC10版 778.22
本タイトル Theorizing colonial cinema :
タイトル関連情報 reframing production, circulation, and consumption of film in Asia /
著者名 edited by Nayoung Aimee Kwon, Takushi Odagiri, and Moonim Baek.
出版地・頒布地 Bloomington, Indiana :
出版者・頒布者名 Indiana University Press,
出版年・頒布年 [2022]
数量 ix, 291 pages :
他の形態的事項 illustrations ;
大きさ 24 cm.
書誌注記 Includes bibliographical references and index.
内容注記 On romanization, naming, and translation -- Time, race, and the asynchronous in the colonial documentaries of Malaya / Nadine Chan -- Facing malcontent colonial Korean comrades : a typology of colonial cinema in Asia's socialist alliances / Moonim Baek -- Colonial-era film theory, spectatorship, and the problem of internalization / Aaron Gerow -- Chinese cinema's other : wrangling over "China-humiliating" films (ruHua pian) / Yiman Wang -- World export : melodramas of colonial conquest / Jane M. Gaines -- Tarzan/Taishan and other orphans : Taiwan's melodrama of decolonization / Zhang Zhen -- What is an auteur? Hŏ Yŏng/Hinatsu Eitarō/Huyung between (post)colonial Indonesia, Japan, and Korea / Thomas Barker and Nikki J. Y. Lee -- Cinema's coloniality / Takushi Odagiri -- A hallucinatory history of the Philippine-American War : Khavn's Balangiga : howling wilderness / José B. Capino -- Millennial vengeance : Park Chan-Wook's Agassi (The Handmaiden) and the return of postcolonial Japonisme / Nayoung Aimee Kwon.
要約、抄録、注釈等 "Theorizing Colonial Cinema is a millennial retrospective on the entangled intimacy between film and colonialism from film's global inception to contemporary legacies in and of Asia. The volume engages new perspectives by asking how prior discussions on film form, theory, history, and ideology may be challenged by centering the colonial question rather than relegating it to the periphery. To that end, contributors begin by excavating little-known archives and perspectives from the colonies as a departure from a prevailing focus on Europe's imperial histories and archives about the colonies. The collection pinpoints various forms of devaluation and misrecognition both in and beyond the region that continue to relegate local voices to the margins. This pathbreaking study on global film history advances prior scholarship by bringing together an array of established and new interdisciplinary voices from film studies, Asian studies, and postcolonial studies to consider how the present is continually haunted by the colonial past"-- Provided by publisher.
著者標目 Kwon, Nayoung Aimee.
小田桐 拓志
Baek, Moonim.
統一タイトル(シリーズ副出標目) New directions in national cinemas.
シリーズ名・巻次 New directions in national cinemas 
一般件名 Motion pictures -- History. -- Asia
Imperialism in motion pictures.
地名件名 Asia.
資料情報1 『Theorizing colonial cinema : reframing production, circulation, and consumption of film in Asia /』（New directions in national cinemas）　edited by Nayoung Aimee Kwon, Takushi Odagiri, and Moonim Baek.　Indiana University Press,　[2022] （所蔵館：中央　 請求記号：F/778.2/T39/T　 資料コード：7116125988）
URL https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352058827

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