Nizan Shaked. -- Bloomsbury Academic, -- 2022, --

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ISBN 1350045756 (hardcover)
ISBN13桁 9781350045750 (hardcover)
無効なISBN等 9781350045774 (electronic book)
テキストの言語 英語                  
分類:NDC10版 706.9
個人著者標目 Shaked, Nizan,
本タイトル Museums and wealth :
タイトル関連情報 the politics of contemporary art collections /
著者名 Nizan Shaked.
出版地・頒布地 London ;
出版者・頒布者名 Bloomsbury Academic,
出版年・頒布年 2022,
数量 ix, 278 pages ;
大きさ 23 cm.
書誌注記 Includes bibliographical references (pages [237]-266) and index.
内容注記 Introduction -- The San Francisco Museum of Modern Art and economic inequality : art and imperialism -- The substance of symbolic value : museums and private collecting -- From Medici to MOMA : collections, sovereignty, and the private/public distinction -- Blueprints for the future : demographic and economic change -- Conclusion.
要約、抄録、注釈等 "A critical analysis of contemporary art collections and the value form, this book shows why the nonprofit system is unfit to administer our common collections, and offers solutions for diversity reform and redistributive restructuring. In the United States, institutions administered by the nonprofit system have an ambiguous status as they are neither entirely private nor fully public. Among nonprofits, the museum is unique as it is the only institution where trustees tend to collect the same objects they hold in 'public trust' on behalf of the nation, if not humanity. The public serves as alibi for establishing the symbolic value of art, which sustains its monetary value and its markets. This structure allows for wealthy individuals at the helm to gain financial benefits from, and ideological control over, what is at its core purpose a public system. The dramatic growth of the art market and the development of financial tools based on art-collateral loans exacerbate the contradiction between the needs of museum leadership versus that of the public. Indeed, a history of private support in the US is a history of racist discrimination, and the common collections reflect this fact. A history of how private collections were turned public gives context. Since the late Renaissance, private collections legitimized the prince's right to rule, and later, with the great revolutions, display consolidated national identity. But the rise of the American museum reversed this and re-privatized the public collection. A materialist description of the museum as a model institution of the liberal nation state reveals constellations of imperialist social relations."-- Provided by publisher.
一般件名 Art museums -- Economic aspects.
Art, Modern -- Collectors and collecting.
資料情報1 『Museums and wealth : the politics of contemporary art collections /』 Nizan Shaked. Bloomsbury Academic, 2022, (所蔵館:中央  請求記号:F/706.9/S52/M  資料コード:7117179277)
URL https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352063178