資料詳細

  • 1 件中、 1 件目

[ 洋図書 ] Shigetaka Kurita : Emoji / ( MoMA one on one series )

Paul Galloway. -- The Museum of Modern Art, -- [2023], --

所蔵

所蔵は 1 件です。

所蔵館 所蔵場所 資料区分 請求記号 資料コード 所蔵状態 資料の利用
配架日 協力貸出 利用状況 返却予定日 資料取扱 予約数 付録注記 備考
中央 3階B 一般洋図書 F/801.9/G17/S 7118005423 配架図 Digital BookShelf
2024/07/31 可能 利用可   0

Eメールによる郵送複写申込みは、「東京都在住」の登録利用者の方が対象です。

    • 統合検索
      都内図書館の所蔵を
      横断検索します。       類似資料 AI Shelf
      この資料に類似した資料を
      AIが紹介します。

ページの先頭へ

資料詳細 閉じる

ISBN 1633451496 (paperback)
ISBN13桁 9781633451490 (paperback)
テキストの言語 英語                  
分類：NDC10版 801.9
個人著者標目 Galloway, Paul,
生没年等 1977-
本タイトル Shigetaka Kurita :
タイトル関連情報 Emoji /
著者名 Paul Galloway.
その他のタイトル Emoji
出版地・頒布地 New York, NY :
出版者・頒布者名 The Museum of Modern Art,
出版年・頒布年 [2023],
数量 47 pages :
他の形態的事項 illustrations (chiefly color), portraits ;
大きさ 23 cm
書誌注記 Includes bibliographical references (page 45).
要約、抄録、注釈等 Created in 1998 by Shigetaka Kurita (born 1972), a young designer at the Japanese telecom company NTT DOCOMO, emoji act as the body language of online speech. Emoji taken from the Japanese e for picture and moji for character bring nuance to our online interactions and are a part of the long history of improvements to human communication, from the invention of writing to the arrival of the printing press and the advent of computers. In this volume of the MoMA One on One series, collection specialist Paul Galloway traces the development of emoji from the cell phone companies and youth culture of 1990s Japan to its current status as a global phenomenon.,"In 1999 the Japanese mobile phone company NTT DOCOMO released a set of 176 emoji for mobile phones and pagers. Designed on a twelve-by-twelve-pixel grid, the emoji--a portmanteau of the Japanese words e, or "picture," and moji, or "character"--enhanced the visual interface for NTT DOCOMO's devices and facilitated the nascent practice of text messaging and mobile email. Drawing on sources as varied as Japanese graphic novels, the typeface Zapf Dingbats, and common emoticons (simple faces that computer users made out of preexisting punctuation marks), Kurita, a designer at NTT DOCOMO, included illustrations of weather phenomena, pictograms like the heart symbol, and a range of facial expressions. The shift toward concise, telegraphic correspondence that began with the advent of email in the 1970s accelerated dramatically when messaging moved to mobile devices. People had even less space and time to get their point across, and the conveyance of tone and emotion became both more difficult and more urgent. Emoji, when combined with text, allow for more nuanced intonation. Filling in for body language, they reassert the human within the deeply impersonal, abstract space of electronic communication. Now, with more than 2,600 in use, emoji have evolved far beyond NTT DOCOMO's original set into an essential, global, and increasingly complex companion to written language. Nonetheless, the DNA for today's emoji is clearly present in Kurita's humble pixelated designs."-- Provided by publisher.
個人件名 栗田穣崇.
統一タイトル(シリーズ副出標目) 1 on one.
シリーズ名・巻次 MoMA one on one series 
団体件名 Museum of Modern Art (New York, N.Y.)
一般件名 Emojis -- History.
Emojis.
資料情報1 『Shigetaka Kurita : Emoji /』（MoMA one on one series）　Paul Galloway.　The Museum of Modern Art,　[2023], （所蔵館：中央　 請求記号：F/801.9/G17/S　 資料コード：7118005423）
URL https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352065500

ページの先頭へ