| ISBN |
0192844725 (hardback)
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| ISBN13桁 |
9780192844729 (hardback)
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| テキストの言語 |
英語
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| 分類：NDC10版 |
930.27
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| 本タイトル |
American fiction since 1940 /
|
| 著者名 |
edited by Cyrus R.K. Patell and Deborah Lindsay Williams.
|
| 出版地・頒布地 |
Oxford :
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| 出版者・頒布者名 |
Oxford University Press,
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| 出版年・頒布年 |
[2024],
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| 数量 |
xiii, 680 pages ;
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| 大きさ |
26 cm
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| 書誌注記 |
Includes bibliographical references and indexes.
|
| 内容注記 |
Introduction. Cosmopolitan conversations, 1940-2020 ; Exemplum: Vladimir Nabokov, Lolita (1955) / Cyrus R. K. Patell and Deborah Lindsay Williams -- Part I. The novel and the culture industry. The production and circulation of the US novel / Nikolaj Ramsdal Nielsen, Cyrus R. K. Patell, and Deborah Lindsay Williams ; Exemplum: Andrew Sean Greer, Less (2017) / Nikolaj Ramsdal Nielsen -- Late modernism and its discontents / Ella Williamson and Cyrus R. K. Patell ; Exemplum: William Faulkner, A Fable (1954) / Ella Williamson -- Middlebrow reading ; Exemplum: Patricia Highsmith, The Price of Salt (1952) / Jaime Harker -- The novel versus the moving image ; Exemplum: Clockers (novel by Richard Price, 1992; film by Spike Lee, 1995) / Marc Dolan -- Mediating the novel in the age of Warhol ; Exemplum: Don DeLillo, Americana (1971) / Bryan Waterman -- US postmodernist fiction ; Exemplum: Robert Coover, The Public Burning (1977) / Heinz Ickstadt -- Shattering the feminine mystique ; Exemplum: Shirley Jackson, We Have Always Lived in the Castle (1962) / Catherine Keyser -- The US war novel ; Exemplum: Karl Marlantes, Matterhorn (2009) / Patrick Deer -- Part II. Fictions of Identity. The Wright era: The African American novel since 1940 ; Exemplum: Richard Wright, Native Son (1940) / Werner Sollors -- Jewish American fiction ; Exemplum: Allegra Goodman, Kaaterskill Falls (1998) / Karen E. H. Skinazi -- Cosmopolitanism and the Indigenous novel ; Exemplum: Leslie Marmon Silko, Ceremony (1977) / Cyrus R. K. Patell -- The Latinx novel ; Exemplum: Manuel Muñoz, What You See in the Dark (2011) / Ralph E. Rodriguez -- The Asian American novel ; Exemplum: Theresa Hak Kyung Cha, Dictee (1982) / Tina Chen -- The LGBTQ novel ; Exemplum: Andrew Holleran, Dancer from the Dance (1978) / Scott Herring -- The Arab American novel / Waïl S. Hassan ; Exemplum: Susan Abulhawa, Mornings in Jenin (2010) / Helen Makhdoumian -- Disability and the novel ; Exemplum: Jonathan Lethem, Motherless Brooklyn (1999) / Rachel Adams -- Part III. Forms and genres. Historical fiction ; Exemplum: Joyce Carol Oates, Blonde (2000) / James J. Donahue -- The short story / Siobhan Fallon ; Exemplum: Russell Banks, Trailerpark (1981) / Jim Savio -- Science fiction ; Exemplum: Frank Herbert, Dune (1965) / Edward James -- The romance novel ; Exemplum: J. R. Ward, Dark Lover (2005) / Lauren Horst -- The detective novel and film / Paul Grimstad and Cyrus R. K. Patell ; Exemplum: Paul Auster, City of Glass (1985) / Paul Grimstad -- Children's and young adult fiction ; Exemplum: Nnedi Okorafor, Akata Witch (2011) / Deborah Lindsay Williams -- The graphic novel ; Exemplum: Alan Moore and Dave Gibbons, Watchmen (1987) / Eliot Borenstein -- Part IV. Critical Geographies. Regionalism ; Exemplum: Marilynne Robinson, Gilead (2004) / Donna M. Campbell -- Ground Zero fiction and the 9/11 novel ; Exemplum: Jonathan Safran Foer, Extremely Loud and Incredibly Close (2005) / Birgit Däwes -- The anthropocene novel ; Exemplum: Octavia Butler, Parable of the Sower (1993) / Stephanie LeMenager.
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| 要約、抄録、注釈等 |
"This book offers an account of US fiction during a period demarcated by two traumatic moments: the eve of the entry of the United States into the Second World War and the onset of the Covid-19 pandemic. The aftermath of the Second World War was arguably the high point of US nationalism, but in the years that followed, US writers would increasingly explore the possibility that US democracy was a failure, both at home and abroad. For so many of the writers whose work this volume explores, the idea of 'nation' became suspect as did the idea of 'national literature' as the foundation for US writing. Looking at post-1940s writing, the literary historian might well chart a movement within literary cultures away from nationalism and toward what we would call 'cosmopolitanism,' a perspective that fosters conversations between the occupants of different cultural spaces and that regards difference as an opportunity to be embraced rather than a problem to be solved. During this period, the novel has had significant competition for the US public's attention from other forms of narrative and media: film, television, comic books, videogames, and the internet and the various forms of social media that it spawned. If, however, the novel becomes a 'residual' form during this period, it is by no means archaic. The novel has been reinvigorated over the past eighty years by its encounters with both emergent forms (such as film, television, comic books, and digital media) and the emergent voices typically associated with multiculturalism in the United States."-- Publisher's website.
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| 著者標目 |
Patell, Cyrus R. K.
Williams, Deborah Lindsay.
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| 統一タイトル(シリーズ副出標目) |
Oxford history of the novel in English ;
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| シリーズの巻次 |
v. 8.
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| シリーズ名・巻次 |
The Oxford history of the novel in English ; volume 8 |
| 一般件名 |
American fiction -- History and criticism. -- 20th century
American fiction -- History and criticism. -- 21st century |
| 資料情報1 |
『American fiction since 1940 /』（The Oxford history of the novel in English ;
volume 8） edited by Cyrus R.K. Patell and Deborah Lindsay Williams. Oxford University Press, [2024],
（所蔵館：中央
請求記号：F/930.2/O98/O6-8
資料コード：7119647476）
|
| URL |
https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352072951 |
