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Adam and the Ants -- Adverts, The -- Alarm, The -- Ambient music -- Avengers, The -- Aztec Camera -- Bad Brains -- Bad Religion -- Bangles, The -- Barracudas, The -- Bauhaus -- Berlin -- B-52s -- Big Audio Dynamite -- Big Country -- Black Flag -- Blasters, The -- Blondie -- Bomp! Records -- Boomtown Rats, The -- Bow Wow Wow -- Bragg, Billy -- Bush Tetras -- Buzzcocks, The -- Byrne, David -- Cabaret, Voltaire -- Carroll, Jim -- Cars, The -- Cave, Nick -- CBGB -- Chameleons, The -- Chance, James -- Church, The -- Clash, The -- Cocteau Twins -- Cole, Lloyd -- College radio -- Costello, Elvis -- Cowpunk -- Cramps, The -- Crenshaw, Marshall -- Cult, The -- Culture Club -- Cure, The -- Cyberpunk -- Damned, The -- dB's, The -- Dead Boys, The -- Dead Kennedys, The -- Delinquents -- Depeche Mode -- Devo -- Dexys Midnight Runners -- Dictators, The -- Disco -- Dolby, Thomas -- Dream Syndicate, The -- Dury, Ian -- Echo and the Bunnymen -- Eddie and the Hot Rods -- English Beat -- Eurythmics -- Fall, The -- Fear -- Feelies, The -- Fishbone -- Fleshtones, The -- Forbert, Steve -- Game Theory -- Gang of Four -- Go-Go's, The -- Gordon, Robert -- Goths -- Green on Red -- Gun Club -- Hardcore punk -- Harrison, Jerry -- Heavy metal -- Hell, Richard -- Hip-hop/Rap -- Hitchcock, Robyn -- Hoodoo Gurus -- Human League -- Hüsker Dü -- Idol, Billy -- Industrial music -- Jackson, Joe -- Jam, The -- Johansen, David -- Joy Division -- Killing Joke -- Knack, The -- Lone Justice -- Los Lobos -- Lovich, Lene -- Lowe, Nick -- Madness -- Magazine -- Martha and the Muffins -- Meat Puppets -- Mekons, The -- Mink DeVille -- Minutemen, The -- Mission of Burma -- Mod Revival -- Monochrome Set -- Music videos -- New Order -- New Romantics, The -- No Wave -- Numan, Gary -- Only Ones -- Orchestral Manoeuvres in the Dark -- Parker, Graham -- Pere Ubu -- Plimsouls, The -- Police, The -- Power pop -- Pretenders, The -- Psychedelic Furs, The -- Psychedelic Revival -- Pub rock -- Public Image Ltd. -- Pylon -- Radio Birdman -- Ramones, The -- Records, The -- R.E.M. -- Replacements, The -- Rezillos, The -- Rich Kids -- Richman, Jonathan -- Robinson, Tom -- Rockabilly revival -- Rockpile -- Romantics, The -- Romeo Void -- Saints, The -- Sex Pistols, The -- Siouxsie and the Banshees -- Ska revival -- Slits, The -- Smiths, The -- Sonic Youth -- Squeeze -- Stein, Seymour -- Stiff Little Fingers -- Stiff Records -- Stranglers, The -- Stray Cats, The -- Style Council, The -- Suicide -- Talking Heads -- Techno pop -- Television -- Thunders, Johnny -- Tom Tom Club -- Ultravox -- Undertones, The -- U2 -- Violent Femmes -- Wall of Voodoo -- Waterboys, The -- Wire -- Women in punk -- X -- X-Ray Spex -- XTC.
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| 要約、抄録、注釈等 |
Explore the defining musical artists and moments of the punk rock and new wave eras-- one of the most transformative times in rock and roll history. This encyclopedia makes the case for punk rock's enduring social and cultural importance from 1975, when punk was born in New York City, through 1985, by which time punk and new wave had changed the rock music industry forever. Their introduction of new forms of rebellious, boundary-redefining musical expression reverberated with new generations of listeners, singers, and musicians. The encyclopedia covers notable recording acts whose debut albums were released from 1975 through 1985. Coverage encompasses superstars (U2, Duran Duran), historically foundational acts (Sex Pistols, Ramones) and cult bands that amassed a significant legacy of recordings (Violent Femmes, X). Covering discography highlights and touring controversies alike, this resource covers all the reference bases for understanding the most influential and electrifying bands of this era. Coverage is further supplemented with entries on a wide assortment of musical trends and side topics associated with punk rock and new wave music.
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