資料詳細

  • 1 件中、 1 件目

[ 洋図書 ] Musical life in Guyana : history and politics of controlling creativity / ( Caribbean studies series )

Vibert C. Cambridge. -- University Press of Mississippi, -- [2015] --

所蔵

所蔵は 1 件です。

所蔵館 所蔵場所 資料区分 請求記号 資料コード 所蔵状態 資料の利用
配架日 協力貸出 利用状況 返却予定日 資料取扱 予約数 付録注記 備考
中央 3階B 一般洋図書 F/762.6/C17/M 7107569500 配架図 Digital BookShelf
2016/08/16 可能 利用可   0
Eメールによる郵送複写申込みは、「東京都在住」の登録利用者の方が対象です。

ページの先頭へ

資料詳細 閉じる

ISBN 1628460113 (cloth ; alk. paper)
ISBN13桁 9781628460117 (cloth ; alk. paper)
無効なISBN等 9781626746442 (electronic book)
テキストの言語 英語                  
分類：NDC10版 762.612
個人著者標目 Cambridge, Vibert C.,
本タイトル Musical life in Guyana :
タイトル関連情報 history and politics of controlling creativity /
著者名 Vibert C. Cambridge.
出版地・頒布地 Jackson :
出版者・頒布者名 University Press of Mississippi,
出版年・頒布年 [2015]
数量 xvi, 370 pages :
他の形態的事項 illustrations ;
大きさ 25 cm
書誌注記 Includes bibliographical references (pages 341-354) and index.
内容注記 Prelude -- New imperialism and domestic agitations -- The rise of ethnic and class consciousness: 1921-1930 -- Public spectacles: 1931-1940 -- The American presence: 1940-1950 -- The 1950s: The rise and fall of self-determinaton -- The 1960s: "Guiana lament" : the painful road to independence -- The 1970s: "Making the small man a real man" -- The 1980s: Long live the President -- the President is dead! -- The 1990s: "Dessie, you wrong! Dessie, you wrong" -- Findings and conclusions.
要約、抄録、注釈等 "Musical Life in Guyana is the first in-depth study of Guyanese musical life. It is also a richly detailed description of the social, economic, and political conditions that have encouraged and sometimes discouraged musical and cultural creativity in Guyana. The book contributes to the study of the interactions between the policies and practices by national governments and musical communities in the Caribbean. Vibert C. Cambridge explores these interactions in Guyana during the three political eras that the society experienced as it moved from being a British colony to an independent nation. The first era to be considered is the period of mature colonial governance, guided by the dictates of "new imperialism," which extended from 1900 to 1953. The second era, the period of internal self-government and the preparation for independence, extends from 1953, the year of the first general elections under universal adult suffrage, to 1966, the year when the colony gained its political independence. The third phase, 1966 to 2000, describes the early postcolonial era. Cambridge reveals how the issues of race, class, gender, and ideology deeply influenced who in Guyanese multicultural society obtained access to musical instruction and media outlets and thus who received recognition. He also describes the close connections between Guyanese musicians and Caribbean artists from throughout the region and traces the exodus of Guyanese musicians to the great cities of the world, a theme often neglected in Caribbean studies. The book concludes that the practices of governance across the twentieth century exerted disproportionate influence in the creation, production, distribution, and consumption of music."--Publisher's description.
統一タイトル(シリーズ副出標目) Caribbean studies series (Jackson, Miss.)
シリーズ名・巻次 Caribbean studies series 
一般件名 Music -- History. -- Guyana
Music -- Social aspects.
地名件名 Guyana -- Politics and government.
Guyana.
資料情報1 『Musical life in Guyana : history and politics of controlling creativity /』（Caribbean studies series）　Vibert C. Cambridge.　University Press of Mississippi,　[2015] （所蔵館：中央　 請求記号：F/762.6/C17/M　 資料コード：7107569500）
URL https://catalog.library.metro.tokyo.lg.jp/winj/opac/switch-detail.do?lang=ja&bibid=1352020866

ページの先頭へ